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Scale 1365: "whole tone"

Also known as: auxiliary augmented


i = imperfections

Tones6 (hexatonic)
Pitch Class Set{0,2,4,6,8,10}
Rotational Symmetry2, 4, 6, 8, 10 semitones
Interval Spectrumm6s6t3
Hemitonia0 (anhemitonic)
Cohemitonia0 (ancohemitonic)


Modes are the rotational transformation of this scale. This scale has no modes, becaue any rotation of this scale will produce another copy of itself.


The hexatonic modal family [1365, 1365, 1365, 1365, 1365, 1365] is the negative of the hexatonic modal family [1365, 1365, 1365, 1365, 1365, 1365]


The inverse of a scale is a reflection using the root as its axis. The inverse of 1365 is itself, because it is a palindromic scale!

Scale 1365whole tone

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 1367
Scale 1361
Scale 1363
Scale 1369
Scale 1373
Scale 1349
Scale 1357
Scale 1381
Scale 1397major locrian
Scale 1301
Scale 1333
Scale 1429
Scale 1493lydian minor
Scale 1109
Scale 1237
Scale 1621prometheus
Scale 1877
Scale 341
Scale 853
Scale 2389
Scale 3413leading whole tone

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, and MIDI playback by MIDI.js