*i* = imperfections

Tones | 3 (tritonic) |
---|---|

Pitch Class Set | {0,4,8} |

Rotational Symmetry | 4, 8 semitones |

Palindromic | yes |

Interval Spectrum | m^{3} |

Hemitonia | 0 (anhemitonic) |

Cohemitonia | 0 (ancohemitonic) |

Imperfections | 3 |

Modes | 0 |

Chirality | no |

Modes are the rotational transformation of this scale. This scale has no modes, becaue any rotation of this scale will produce another copy of itself.

The tritonic modal family [273, 273, 273] is the negative of the nonatonic modal family [1911, 1911, 1911, 3003, 3003, 3003, 3549, 3549, 3549]

The inverse of a scale is a reflection using the root as its axis. The inverse of 273 is itself, because it is a palindromic scale!

Scale 273 | augmented triad |

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 275 | ||||

Scale 277 | ||||

Scale 281 | ||||

Scale 257 | ||||

Scale 265 | ||||

Scale 289 | ||||

Scale 305 | ||||

Scale 337 | ||||

Scale 401 | ||||

Scale 17 | ||||

Scale 145 | ||||

Scale 529 | ||||

Scale 785 | ||||

Scale 1297 | ||||

Scale 2321 |

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, and MIDI playback by MIDI.js