*i* = imperfections

Tones | 12 (dodecatonic) |
---|---|

Pitch Class Set | {0,1,2,3,4,5,6,7,8,9,10,11} |

Rotational Symmetry | 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 semitones |

Palindromic | yes |

Interval Spectrum | p^{12}m^{12}n^{12}s^{12}d^{12}t^{6} |

Hemitonia | 12 (multihemitonic) |

Cohemitonia | 12 (multicohemitonic) |

Imperfections | 0 |

Modes | 0 |

Chirality | no |

Modes are the rotational transformation of this scale. This scale has no modes, becaue any rotation of this scale will produce another copy of itself.

The inverse of a scale is a reflection using the root as its axis. The inverse of 4095 is itself, because it is a palindromic scale!

Scale 4095 | chromatic |

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 4093 | ||||

Scale 4091 | ||||

Scale 4087 | ||||

Scale 4079 | ||||

Scale 4063 | ||||

Scale 4031 | ||||

Scale 3967 | ||||

Scale 3839 | ||||

Scale 3583 | ||||

Scale 3071 | ||||

Scale 2047 |

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, and MIDI playback by MIDI.js