The Exciting Universe Of Music Theory
presents

more than you ever wanted to know about...

Scale 2689: "Ragian"

Scale 2689: Ragian, Ian Ring Music Theory

Bracelet Diagram

The bracelet shows tones that are in this scale, starting from the top (12 o'clock), going clockwise in ascending semitones. The "i" icon marks imperfect tones that do not have a tone a fifth above. Dotted lines indicate axes of symmetry.

Tonnetz Diagram

Tonnetz diagrams are popular in Neo-Riemannian theory. Notes are arranged in a lattice where perfect 5th intervals are from left to right, major third are northeast, and major 6th intervals are northwest. Other directions are inverse of their opposite. This diagram helps to visualize common triads (they're triangles) and circle-of-fifth relationships (horizontal lines).

Common Names

Dozenal
Ragian

Analysis

Cardinality

Cardinality is the count of how many pitches are in the scale.

4 (tetratonic)

Pitch Class Set

The tones in this scale, expressed as numbers from 0 to 11

{0,7,9,11}

Forte Number

A code assigned by theorist Allen Forte, for this pitch class set and all of its transpositional (rotation) and inversional (reflection) transformations.

4-11

Rotational Symmetry

Some scales have rotational symmetry, sometimes known as "limited transposition". If there are any rotational symmetries, these are the intervals of periodicity.

none

Reflection Axes

If a scale has an axis of reflective symmetry, then it can transform into itself by inversion. It also implies that the scale has Ridge Tones. Notably an axis of reflection can occur directly on a tone or half way between two tones.

none

Palindromicity

A palindromic scale has the same pattern of intervals both ascending and descending.

no

Chirality

A chiral scale can not be transformed into its inverse by rotation. If a scale is chiral, then it has an enantiomorph.

yes
enantiomorph: 43

Hemitonia

A hemitone is two tones separated by a semitone interval. Hemitonia describes how many such hemitones exist.

1 (unhemitonic)

Cohemitonia

A cohemitone is an instance of two adjacent hemitones. Cohemitonia describes how many such cohemitones exist.

0 (ancohemitonic)

Imperfections

An imperfection is a tone which does not have a perfect fifth above it in the scale. This value is the quantity of imperfections in this scale.

3

Modes

Modes are the rotational transformations of this scale. This number does not include the scale itself, so the number is usually one less than its cardinality; unless there are rotational symmetries then there are even fewer modes.

3

Prime Form

Describes if this scale is in prime form, using the Rahn/Ring formula.

no
prime: 43

Generator

Indicates if the scale can be constructed using a generator, and an origin.

none

Deep Scale

A deep scale is one where the interval vector has 6 different digits.

no

Interval Structure

Defines the scale as the sequence of intervals between one tone and the next.

[7, 2, 2, 1]

Interval Vector

Describes the intervallic content of the scale, read from left to right as the number of occurences of each interval size from semitone, up to six semitones.

<1, 2, 1, 1, 1, 0>

Interval Spectrum

The same as the Interval Vector, but expressed in a syntax used by Howard Hanson.

pmns2d

Distribution Spectra

Describes the specific interval sizes that exist for each generic interval size. Each generic <g> has a spectrum {n,...}. The Spectrum Width is the difference between the highest and lowest values in each spectrum.

<1> = {1,2,7}
<2> = {3,4,8,9}
<3> = {5,10,11}

Spectra Variation

Determined by the Distribution Spectra; this is the sum of all spectrum widths divided by the scale cardinality.

4.5

Maximally Even

A scale is maximally even if the tones are optimally spaced apart from each other.

no

Maximal Area Set

A scale is a maximal area set if a polygon described by vertices dodecimetrically placed around a circle produces the maximal interior area for scales of the same cardinality. All maximally even sets have maximal area, but not all maximal area sets are maximally even.

no

Interior Area

Area of the polygon described by vertices placed for each tone of the scale dodecimetrically around a unit circle, ie a circle with radius of 1.

0.866

Polygon Perimeter

Perimeter of the polygon described by vertices placed for each tone of the scale dodecimetrically around a unit circle.

4.449

Myhill Property

A scale has Myhill Property if the Interval Spectra has exactly two specific intervals for every generic interval.

no

Balanced

A scale is balanced if the distribution of its tones would satisfy the "centrifuge problem", ie are placed such that it would balance on its centre point.

no

Ridge Tones

Ridge Tones are those that appear in all transpositions of a scale upon the members of that scale. Ridge Tones correspond directly with axes of reflective symmetry.

none

Propriety

Also known as Rothenberg Propriety, named after its inventor. Propriety describes whether every specific interval is uniquely mapped to a generic interval. A scale is either "Proper", "Strictly Proper", or "Improper".

Improper

Heteromorphic Profile

Defined by Norman Carey (2002), the heteromorphic profile is an ordered triple of (c, a, d) where c is the number of contradictions, a is the number of ambiguities, and d is the number of differences. When c is zero, the scale is Proper. When a is also zero, the scale is Strictly Proper.

(5, 0, 16)

Common Triads

There are no common triads (major, minor, augmented and diminished) that can be formed using notes in this scale.

Modes

Modes are the rotational transformation of this scale. Scale 2689 can be rotated to make 3 other scales. The 1st mode is itself.

2nd mode:
Scale 53
Scale 53: Absian, Ian Ring Music TheoryAbsian
3rd mode:
Scale 1037
Scale 1037: Warao Tetratonic, Ian Ring Music TheoryWarao Tetratonic
4th mode:
Scale 1283
Scale 1283: Hurian, Ian Ring Music TheoryHurian

Prime

The prime form of this scale is Scale 43

Scale 43Scale 43: Alfian, Ian Ring Music TheoryAlfian

Complement

The tetratonic modal family [2689, 53, 1037, 1283] (Forte: 4-11) is the complement of the octatonic modal family [703, 1529, 2021, 2399, 3247, 3671, 3883, 3989] (Forte: 8-11)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 2689 is 43

Scale 43Scale 43: Alfian, Ian Ring Music TheoryAlfian

Enantiomorph

Only scales that are chiral will have an enantiomorph. Scale 2689 is chiral, and its enantiomorph is scale 43

Scale 43Scale 43: Alfian, Ian Ring Music TheoryAlfian

Transformations:

In the abbreviation, the subscript number after "T" is the number of semitones of tranposition, "M" means the pitch class is multiplied by 5, and "I" means the result is inverted. Operation is an identical way to express the same thing; the syntax is <a,b> where each tone of the set x is transformed by the equation y = ax + b

Abbrev Operation Result Abbrev Operation Result
T0 <1,0> 2689       T0I <11,0> 43
T1 <1,1> 1283      T1I <11,1> 86
T2 <1,2> 2566      T2I <11,2> 172
T3 <1,3> 1037      T3I <11,3> 344
T4 <1,4> 2074      T4I <11,4> 688
T5 <1,5> 53      T5I <11,5> 1376
T6 <1,6> 106      T6I <11,6> 2752
T7 <1,7> 212      T7I <11,7> 1409
T8 <1,8> 424      T8I <11,8> 2818
T9 <1,9> 848      T9I <11,9> 1541
T10 <1,10> 1696      T10I <11,10> 3082
T11 <1,11> 3392      T11I <11,11> 2069
Abbrev Operation Result Abbrev Operation Result
T0M <5,0> 2689       T0MI <7,0> 43
T1M <5,1> 1283      T1MI <7,1> 86
T2M <5,2> 2566      T2MI <7,2> 172
T3M <5,3> 1037      T3MI <7,3> 344
T4M <5,4> 2074      T4MI <7,4> 688
T5M <5,5> 53      T5MI <7,5> 1376
T6M <5,6> 106      T6MI <7,6> 2752
T7M <5,7> 212      T7MI <7,7> 1409
T8M <5,8> 424      T8MI <7,8> 2818
T9M <5,9> 848      T9MI <7,9> 1541
T10M <5,10> 1696      T10MI <7,10> 3082
T11M <5,11> 3392      T11MI <7,11> 2069

The transformations that map this set to itself are: T0, T0M

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 2691Scale 2691: Rahian, Ian Ring Music TheoryRahian
Scale 2693Scale 2693: Rajian, Ian Ring Music TheoryRajian
Scale 2697Scale 2697: Katagitonic, Ian Ring Music TheoryKatagitonic
Scale 2705Scale 2705: Raga Mamata, Ian Ring Music TheoryRaga Mamata
Scale 2721Scale 2721: Raga Puruhutika, Ian Ring Music TheoryRaga Puruhutika
Scale 2753Scale 2753: Ritian, Ian Ring Music TheoryRitian
Scale 2561Scale 2561: Podian, Ian Ring Music TheoryPodian
Scale 2625Scale 2625, Ian Ring Music Theory
Scale 2817Scale 2817, Ian Ring Music Theory
Scale 2945Scale 2945: Sihian, Ian Ring Music TheorySihian
Scale 2177Scale 2177: Major Seventh Omit 3, Ian Ring Music TheoryMajor Seventh Omit 3
Scale 2433Scale 2433: Pacian, Ian Ring Music TheoryPacian
Scale 3201Scale 3201: Urtian, Ian Ring Music TheoryUrtian
Scale 3713Scale 3713: Xibian, Ian Ring Music TheoryXibian
Scale 641Scale 641: Duwian, Ian Ring Music TheoryDuwian
Scale 1665Scale 1665: Kejian, Ian Ring Music TheoryKejian

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. Scale notation generated by VexFlow, graph visualization by Graphviz, and MIDI playback by MIDI.js. All other diagrams and visualizations are © Ian Ring. Some scale names used on this and other pages are ©2005 William Zeitler (http://allthescales.org) used with permission.

Pitch spelling algorithm employed here is adapted from a method by Uzay Bora, Baris Tekin Tezel, and Alper Vahaplar. (An algorithm for spelling the pitches of any musical scale) Contact authors Patent owner: Dokuz Eylül University, Used with Permission. Contact TTO

Tons of background resources contributed to the production of this summary; for a list of these peruse this Bibliography. Special thanks to Richard Repp for helping with technical accuracy, and George Howlett for assistance with the Carnatic ragas.