presents more than you ever wanted to know about...

*i* = imperfections

Tones | 4 (tetratonic) |
---|---|

Pitch Class Set | {0,3,7,10} |

Forte Number | 4-26 |

Rotational Symmetry | none |

Palindromic | no |

Hemitonia | 0 (anhemitonic) |

Cohemitonia | 0 (ancohemitonic) |

Imperfections | 2 |

Modes | 3 |

Prime? | no prime: 297 |

Chirality | no |

Deep Scale | no |

Interval Vector | 012120 |

Interval Spectrum | p^{2}mn^{2}s |

Distribution Spectra | <1> = {2,3,4} <2> = {5,7} <3> = {8,9,10} |

Spectra Variation | 1.5 |

Myhill Property | no |

Coherence | yes |

Heliotonic | no |

Modes are the rotational transformation of this scale. Scale 1161 can be rotated to make 3 other scales. The 1st mode is itself.

2nd mode: Scale 657 | |||||

3rd mode: Scale 297 | This is the prime mode | ||||

4th mode: Scale 549 | Raga Bhavani |

The prime form of this scale is Scale 297

Scale 297 |

The tetratonic modal family [1161, 657, 297, 549] is the negative of the octatonic modal family [1467, 1719, 1773, 1899, 2781, 2907, 2997, 3501]

The inverse of a scale is a reflection using the root as its axis. The inverse of 1161 is 549

Scale 549 | Raga Bhavani |

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 1163 | Raga Rukmangi | |||

Scale 1165 | ||||

Scale 1153 | ||||

Scale 1157 | ||||

Scale 1169 | Raga Mahathi | |||

Scale 1177 | ||||

Scale 1193 | Minor Pentatonic | |||

Scale 1225 | Raga Samudhra Priya | |||

Scale 1033 | ||||

Scale 1097 | ||||

Scale 1289 | ||||

Scale 1417 | Raga Shailaja | |||

Scale 1673 | ||||

Scale 137 | Ute tritonic | |||

Scale 649 | ||||

Scale 2185 | ||||

Scale 3209 |

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, and MIDI playback by MIDI.js