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Scale 1175: "Epycrimic"

Scale 1175: Epycrimic, Ian Ring Music Theory

Bracelet Diagram

Tonnetz Diagram

41161837294116105072918310504116183

Common Names

Zeitler
Epycrimic

Analysis

Cardinality6 (hexatonic)
Pitch Class Set{0,1,2,4,7,10}
Forte Number6-Z45
Rotational Symmetrynone
Reflection Axes1
Palindromicno
Chiralityno
Hemitonia2 (dihemitonic)
Cohemitonia1 (uncohemitonic)
Imperfections4
Modes5
Prime?no
prime: 605
Deep Scaleno
Interval Vector234222
Interval Spectrump2m2n4s3d2t2
Distribution Spectra<1> = {1,2,3}
<2> = {2,3,5,6}
<3> = {4,6,8}
<4> = {6,7,9,10}
<5> = {9,10,11}
Spectra Variation2.667
Maximally Evenno
Myhill Propertyno
Balancedno
Ridge Tones[2]
Coherenceno
Heliotonicno

Modes

Modes are the rotational transformation of this scale. Scale 1175 can be rotated to make 5 other scales. The 1st mode is itself.

2nd mode:
Scale 2635
Scale 2635: Gocrimic, Ian Ring Music TheoryGocrimic
3rd mode:
Scale 3365
Scale 3365: Katolimic, Ian Ring Music TheoryKatolimic
4th mode:
Scale 1865
Scale 1865: Thagimic, Ian Ring Music TheoryThagimic
5th mode:
Scale 745
Scale 745: Kolimic, Ian Ring Music TheoryKolimic
6th mode:
Scale 605
Scale 605: Dycrimic, Ian Ring Music TheoryDycrimicThis is the prime mode

Prime

The prime form of this scale is Scale 605

Scale 605Scale 605: Dycrimic, Ian Ring Music TheoryDycrimic

Complement

The hexatonic modal family [1175, 2635, 3365, 1865, 745, 605] (Forte: 6-Z45) is the complement of the hexatonic modal family [365, 1115, 1675, 1745, 2605, 2885] (Forte: 6-Z23)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 1175 is 3365

Scale 3365Scale 3365: Katolimic, Ian Ring Music TheoryKatolimic

Transformations:

T0 1175  T0I 3365
T1 2350  T1I 2635
T2 605  T2I 1175
T3 1210  T3I 2350
T4 2420  T4I 605
T5 745  T5I 1210
T6 1490  T6I 2420
T7 2980  T7I 745
T8 1865  T8I 1490
T9 3730  T9I 2980
T10 3365  T10I 1865
T11 2635  T11I 3730

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 1173Scale 1173: Dominant Pentatonic, Ian Ring Music TheoryDominant Pentatonic
Scale 1171Scale 1171: Raga Manaranjani I, Ian Ring Music TheoryRaga Manaranjani I
Scale 1179Scale 1179: Sonimic, Ian Ring Music TheorySonimic
Scale 1183Scale 1183: Sadian, Ian Ring Music TheorySadian
Scale 1159Scale 1159, Ian Ring Music Theory
Scale 1167Scale 1167: Aerodimic, Ian Ring Music TheoryAerodimic
Scale 1191Scale 1191: Pyrimic, Ian Ring Music TheoryPyrimic
Scale 1207Scale 1207: Aeoloptian, Ian Ring Music TheoryAeoloptian
Scale 1239Scale 1239: Epaptian, Ian Ring Music TheoryEpaptian
Scale 1047Scale 1047, Ian Ring Music Theory
Scale 1111Scale 1111: Sycrimic, Ian Ring Music TheorySycrimic
Scale 1303Scale 1303: Epolimic, Ian Ring Music TheoryEpolimic
Scale 1431Scale 1431: Phragian, Ian Ring Music TheoryPhragian
Scale 1687Scale 1687: Phralian, Ian Ring Music TheoryPhralian
Scale 151Scale 151, Ian Ring Music Theory
Scale 663Scale 663: Phrynimic, Ian Ring Music TheoryPhrynimic
Scale 2199Scale 2199: Dyptimic, Ian Ring Music TheoryDyptimic
Scale 3223Scale 3223: Thyphian, Ian Ring Music TheoryThyphian

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, and MIDI playback by MIDI.js. Bibliography