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Scale 2553: "Aeolaptyllic"

Scale 2553: Aeolaptyllic, Ian Ring Music Theory

Common Names

Zeitler
Aeolaptyllic

Analysis

Cardinality8 (octatonic)
Pitch Class Set{0,3,4,5,6,7,8,11}
Forte Number8-7
Rotational Symmetrynone
Reflection Axes5.5
Palindromicno
Chiralityno
Hemitonia6 (multihemitonic)
Cohemitonia4 (multicohemitonic)
Imperfections3
Modes7
Prime?no
prime: 831
Deep Scaleno
Interval Vector645652
Interval Spectrump5m6n5s4d6t2
Distribution Spectra<1> = {1,3}
<2> = {2,4}
<3> = {3,5,7}
<4> = {4,6,8}
<5> = {5,7,9}
<6> = {8,10}
<7> = {9,11}
Spectra Variation2.5
Maximally Evenno
Myhill Propertyno
Balancedno
Ridge Tones[11]
Coherenceno
Heliotonicno

Modes

Modes are the rotational transformation of this scale. Scale 2553 can be rotated to make 7 other scales. The 1st mode is itself.

2nd mode:
Scale 831
Scale 831: Rodyllic, Ian Ring Music TheoryRodyllicThis is the prime mode
3rd mode:
Scale 2463
Scale 2463: Ionathyllic, Ian Ring Music TheoryIonathyllic
4th mode:
Scale 3279
Scale 3279: Pythyllic, Ian Ring Music TheoryPythyllic
5th mode:
Scale 3687
Scale 3687: Zonyllic, Ian Ring Music TheoryZonyllic
6th mode:
Scale 3891
Scale 3891: Ryryllic, Ian Ring Music TheoryRyryllic
7th mode:
Scale 3993
Scale 3993: Ioniptyllic, Ian Ring Music TheoryIoniptyllic
8th mode:
Scale 1011
Scale 1011: Kycryllic, Ian Ring Music TheoryKycryllic

Prime

The prime form of this scale is Scale 831

Scale 831Scale 831: Rodyllic, Ian Ring Music TheoryRodyllic

Complement

The octatonic modal family [2553, 831, 2463, 3279, 3687, 3891, 3993, 1011] (Forte: 8-7) is the complement of the tetratonic modal family [51, 771, 2073, 2433] (Forte: 4-7)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 2553 is 1011

Scale 1011Scale 1011: Kycryllic, Ian Ring Music TheoryKycryllic

Transformations:

T0 2553  T0I 1011
T1 1011  T1I 2022
T2 2022  T2I 4044
T3 4044  T3I 3993
T4 3993  T4I 3891
T5 3891  T5I 3687
T6 3687  T6I 3279
T7 3279  T7I 2463
T8 2463  T8I 831
T9 831  T9I 1662
T10 1662  T10I 3324
T11 3324  T11I 2553

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 2555Scale 2555: Bythygic, Ian Ring Music TheoryBythygic
Scale 2557Scale 2557: Dothygic, Ian Ring Music TheoryDothygic
Scale 2545Scale 2545: Thycrian, Ian Ring Music TheoryThycrian
Scale 2549Scale 2549: Rydyllic, Ian Ring Music TheoryRydyllic
Scale 2537Scale 2537: Laptian, Ian Ring Music TheoryLaptian
Scale 2521Scale 2521: Mela Dhatuvardhani, Ian Ring Music TheoryMela Dhatuvardhani
Scale 2489Scale 2489: Mela Gangeyabhusani, Ian Ring Music TheoryMela Gangeyabhusani
Scale 2425Scale 2425: Rorian, Ian Ring Music TheoryRorian
Scale 2297Scale 2297: Thylian, Ian Ring Music TheoryThylian
Scale 2809Scale 2809: Gythyllic, Ian Ring Music TheoryGythyllic
Scale 3065Scale 3065: Zothygic, Ian Ring Music TheoryZothygic
Scale 3577Scale 3577: Loptygic, Ian Ring Music TheoryLoptygic
Scale 505Scale 505: Sanian, Ian Ring Music TheorySanian
Scale 1529Scale 1529: Kataryllic, Ian Ring Music TheoryKataryllic

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, and MIDI playback by MIDI.js. Bibliography