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Scale 2835: "Ionygimic"

Scale 2835: Ionygimic, Ian Ring Music Theory

Bracelet Diagram

The bracelet shows tones that are in this scale, starting from the top (12 o'clock), going clockwise in ascending semitones. The "i" icon marks imperfect tones that do not have a tone a fifth above.

Tonnetz Diagram

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Tonnetz diagrams are popular in Neo-Riemannian theory. Notes are arranged in a lattice where perfect 5th intervals are from left to right, major third are northeast, and major 6th intervals are northwest. Other directions are inverse of their opposite. This diagram helps to visualize common triads (they're triangles) and circle-of-fifth relationships (horizontal lines).

Common Names

Zeitler
Ionygimic

Analysis

Cardinality6 (hexatonic)
Pitch Class Set{0,1,4,8,9,11}
Forte Number6-14
Rotational Symmetrynone
Reflection Axesnone
Palindromicno
Chiralityyes
enantiomorph: 2331
Hemitonia3 (trihemitonic)
Cohemitonia1 (uncohemitonic)
Imperfections3
Modes5
Prime?no
prime: 315
Deep Scaleno
Interval Vector323430
Interval Spectrump3m4n3s2d3
Distribution Spectra<1> = {1,2,3,4}
<2> = {2,3,4,5,7}
<3> = {4,5,7,8}
<4> = {5,7,8,9,10}
<5> = {8,9,10,11}
Spectra Variation3.333
Maximally Evenno
Myhill Propertyno
Balancedno
Ridge Tonesnone
Coherenceno
Heliotonicno

Modes

Modes are the rotational transformation of this scale. Scale 2835 can be rotated to make 5 other scales. The 1st mode is itself.

2nd mode:
Scale 3465
Scale 3465: Katathimic, Ian Ring Music TheoryKatathimic
3rd mode:
Scale 945
Scale 945: Raga Saravati, Ian Ring Music TheoryRaga Saravati
4th mode:
Scale 315
Scale 315: Stodimic, Ian Ring Music TheoryStodimicThis is the prime mode
5th mode:
Scale 2205
Scale 2205: Ionocrimic, Ian Ring Music TheoryIonocrimic
6th mode:
Scale 1575
Scale 1575: Zycrimic, Ian Ring Music TheoryZycrimic

Prime

The prime form of this scale is Scale 315

Scale 315Scale 315: Stodimic, Ian Ring Music TheoryStodimic

Complement

The hexatonic modal family [2835, 3465, 945, 315, 2205, 1575] (Forte: 6-14) is the complement of the hexatonic modal family [315, 945, 1575, 2205, 2835, 3465] (Forte: 6-14)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 2835 is 2331

Scale 2331Scale 2331: Dylimic, Ian Ring Music TheoryDylimic

Enantiomorph

Only scales that are chiral will have an enantiomorph. Scale 2835 is chiral, and its enantiomorph is scale 2331

Scale 2331Scale 2331: Dylimic, Ian Ring Music TheoryDylimic

Transformations:

T0 2835  T0I 2331
T1 1575  T1I 567
T2 3150  T2I 1134
T3 2205  T3I 2268
T4 315  T4I 441
T5 630  T5I 882
T6 1260  T6I 1764
T7 2520  T7I 3528
T8 945  T8I 2961
T9 1890  T9I 1827
T10 3780  T10I 3654
T11 3465  T11I 3213

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 2833Scale 2833: Dolitonic, Ian Ring Music TheoryDolitonic
Scale 2837Scale 2837: Aelothimic, Ian Ring Music TheoryAelothimic
Scale 2839Scale 2839: Lyptian, Ian Ring Music TheoryLyptian
Scale 2843Scale 2843: Sorian, Ian Ring Music TheorySorian
Scale 2819Scale 2819, Ian Ring Music Theory
Scale 2827Scale 2827, Ian Ring Music Theory
Scale 2851Scale 2851: Katoptimic, Ian Ring Music TheoryKatoptimic
Scale 2867Scale 2867: Socrian, Ian Ring Music TheorySocrian
Scale 2899Scale 2899: Kagian, Ian Ring Music TheoryKagian
Scale 2963Scale 2963: Bygian, Ian Ring Music TheoryBygian
Scale 2579Scale 2579, Ian Ring Music Theory
Scale 2707Scale 2707: Banimic, Ian Ring Music TheoryBanimic
Scale 2323Scale 2323: Doptitonic, Ian Ring Music TheoryDoptitonic
Scale 3347Scale 3347: Synimic, Ian Ring Music TheorySynimic
Scale 3859Scale 3859: Aeolarian, Ian Ring Music TheoryAeolarian
Scale 787Scale 787: Aeolapritonic, Ian Ring Music TheoryAeolapritonic
Scale 1811Scale 1811: Kyptimic, Ian Ring Music TheoryKyptimic

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, and MIDI playback by MIDI.js. Bibliography