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Scale 873: "Bagimic"

Scale 873: Bagimic, Ian Ring Music Theory

Bracelet Diagram

The bracelet shows tones that are in this scale, starting from the top (12 o'clock), going clockwise in ascending semitones. The "i" icon marks imperfect tones that do not have a tone a fifth above. Dotted lines indicate axes of symmetry.

Tonnetz Diagram

41161837294116105072918310504116183
Tonnetz diagrams are popular in Neo-Riemannian theory. Notes are arranged in a lattice where perfect 5th intervals are from left to right, major third are northeast, and major 6th intervals are northwest. Other directions are inverse of their opposite. This diagram helps to visualize common triads (they're triangles) and circle-of-fifth relationships (horizontal lines).

Common Names

Zeitler
Bagimic

Analysis

Cardinality6 (hexatonic)
Pitch Class Set{0,3,5,6,8,9}
Forte Number6-27
Rotational Symmetrynone
Reflection Axesnone
Palindromicno
Chiralityyes
enantiomorph: 729
Hemitonia2 (dihemitonic)
Cohemitonia0 (ancohemitonic)
Imperfections4
Modes5
Prime?no
prime: 603
Deep Scaleno
Interval Vector225222
Interval Spectrump2m2n5s2d2t2
Distribution Spectra<1> = {1,2,3}
<2> = {3,4,5,6}
<3> = {4,5,6,7,8}
<4> = {6,7,8,9}
<5> = {9,10,11}
Spectra Variation2.333
Maximally Evenno
Maximal Area Setno
Interior Area2.366
Myhill Propertyno
Balancedno
Ridge Tonesnone
ProprietyImproper
Heliotonicno

Common Triads

These are the common triads (major, minor, augmented and diminished) that you can create from members of this scale.

* Pitches are shown with C as the root

Triad TypeTriad*Pitch ClassesDegreeEccentricityCloseness Centrality
Major TriadsF{5,9,0}331.43
G♯{8,0,3}331.43
Minor Triadsfm{5,8,0}231.57
Diminished Triads{0,3,6}231.57
d♯°{3,6,9}231.71
f♯°{6,9,0}231.57
{9,0,3}231.57
Parsimonious Voice Leading Between Common Triads of Scale 873. Created by Ian Ring ©2019 d#° d#° c°->d#° G# G# c°->G# f#° f#° d#°->f#° fm fm F F fm->F fm->G# F->f#° F->a° G#->a°

view full size

Above is a graph showing opportunities for parsimonious voice leading between triads*. Each line connects two triads that have two common tones, while the third tone changes by one generic scale step.

Diameter3
Radius3
Self-Centeredyes

Modes

Modes are the rotational transformation of this scale. Scale 873 can be rotated to make 5 other scales. The 1st mode is itself.

2nd mode:
Scale 621
Scale 621: Pyramid Hexatonic, Ian Ring Music TheoryPyramid Hexatonic
3rd mode:
Scale 1179
Scale 1179: Sonimic, Ian Ring Music TheorySonimic
4th mode:
Scale 2637
Scale 2637: Raga Ranjani, Ian Ring Music TheoryRaga Ranjani
5th mode:
Scale 1683
Scale 1683: Raga Malayamarutam, Ian Ring Music TheoryRaga Malayamarutam
6th mode:
Scale 2889
Scale 2889: Thoptimic, Ian Ring Music TheoryThoptimic

Prime

The prime form of this scale is Scale 603

Scale 603Scale 603: Aeolygimic, Ian Ring Music TheoryAeolygimic

Complement

The hexatonic modal family [873, 621, 1179, 2637, 1683, 2889] (Forte: 6-27) is the complement of the hexatonic modal family [603, 729, 1611, 1737, 2349, 2853] (Forte: 6-27)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 873 is 729

Scale 729Scale 729: Stygimic, Ian Ring Music TheoryStygimic

Enantiomorph

Only scales that are chiral will have an enantiomorph. Scale 873 is chiral, and its enantiomorph is scale 729

Scale 729Scale 729: Stygimic, Ian Ring Music TheoryStygimic

Transformations:

T0 873  T0I 729
T1 1746  T1I 1458
T2 3492  T2I 2916
T3 2889  T3I 1737
T4 1683  T4I 3474
T5 3366  T5I 2853
T6 2637  T6I 1611
T7 1179  T7I 3222
T8 2358  T8I 2349
T9 621  T9I 603
T10 1242  T10I 1206
T11 2484  T11I 2412

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 875Scale 875: Locrian Double-flat 7, Ian Ring Music TheoryLocrian Double-flat 7
Scale 877Scale 877: Moravian Pistalkova, Ian Ring Music TheoryMoravian Pistalkova
Scale 865Scale 865, Ian Ring Music Theory
Scale 869Scale 869: Kothimic, Ian Ring Music TheoryKothimic
Scale 881Scale 881: Aerothimic, Ian Ring Music TheoryAerothimic
Scale 889Scale 889: Borian, Ian Ring Music TheoryBorian
Scale 841Scale 841: Phrothitonic, Ian Ring Music TheoryPhrothitonic
Scale 857Scale 857: Aeolydimic, Ian Ring Music TheoryAeolydimic
Scale 809Scale 809: Dogitonic, Ian Ring Music TheoryDogitonic
Scale 937Scale 937: Stothimic, Ian Ring Music TheoryStothimic
Scale 1001Scale 1001: Badian, Ian Ring Music TheoryBadian
Scale 617Scale 617: Katycritonic, Ian Ring Music TheoryKatycritonic
Scale 745Scale 745: Kolimic, Ian Ring Music TheoryKolimic
Scale 361Scale 361: Bocritonic, Ian Ring Music TheoryBocritonic
Scale 1385Scale 1385: Phracrimic, Ian Ring Music TheoryPhracrimic
Scale 1897Scale 1897: Ionopian, Ian Ring Music TheoryIonopian
Scale 2921Scale 2921: Pogian, Ian Ring Music TheoryPogian

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, graph visualization by Graphviz, and MIDI playback by MIDI.js. Some scale names used on this and other pages are ©2005 William Zeitler (http://allthescales.org) used with permission. Tons of background resources contributed to the production of this summary; for a list of these peruse this Bibliography.