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Scale 2385: "Aeolanitonic"

Scale 2385: Aeolanitonic, Ian Ring Music Theory

Common Names

Zeitler
Aeolanitonic

Analysis

Cardinality5 (pentatonic)
Pitch Class Set{0,4,6,8,11}
Forte Number5-30
Rotational Symmetrynone
Reflection Axesnone
Palindromicno
Chiralityyes
enantiomorph: 339
Hemitonia1 (unhemitonic)
Cohemitonia0 (ancohemitonic)
Imperfections3
Modes4
Prime?no
prime: 339
Deep Scaleno
Interval Vector121321
Interval Spectrump2m3ns2dt
Distribution Spectra<1> = {1,2,3,4}
<2> = {4,5,6}
<3> = {6,7,8}
<4> = {8,9,10,11}
Spectra Variation2
Maximally Evenno
Myhill Propertyno
Balancedno
Ridge Tonesnone
Coherenceno
Heliotonicno

Modes

Modes are the rotational transformation of this scale. Scale 2385 can be rotated to make 4 other scales. The 1st mode is itself.

2nd mode:
Scale 405
Scale 405: Raga Bhupeshwari, Ian Ring Music TheoryRaga Bhupeshwari
3rd mode:
Scale 1125
Scale 1125: Ionaritonic, Ian Ring Music TheoryIonaritonic
4th mode:
Scale 1305
Scale 1305: Dynitonic, Ian Ring Music TheoryDynitonic
5th mode:
Scale 675
Scale 675: Altered Pentatonic, Ian Ring Music TheoryAltered Pentatonic

Prime

The prime form of this scale is Scale 339

Scale 339Scale 339: Zaptitonic, Ian Ring Music TheoryZaptitonic

Complement

The pentatonic modal family [2385, 405, 1125, 1305, 675] (Forte: 5-30) is the complement of the heptatonic modal family [855, 1395, 1485, 1845, 2475, 2745, 3285] (Forte: 7-30)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 2385 is 339

Scale 339Scale 339: Zaptitonic, Ian Ring Music TheoryZaptitonic

Enantiomorph

Only scales that are chiral will have an enantiomorph. Scale 2385 is chiral, and its enantiomorph is scale 339

Scale 339Scale 339: Zaptitonic, Ian Ring Music TheoryZaptitonic

Transformations:

T0 2385  T0I 339
T1 675  T1I 678
T2 1350  T2I 1356
T3 2700  T3I 2712
T4 1305  T4I 1329
T5 2610  T5I 2658
T6 1125  T6I 1221
T7 2250  T7I 2442
T8 405  T8I 789
T9 810  T9I 1578
T10 1620  T10I 3156
T11 3240  T11I 2217

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 2387Scale 2387: Paptimic, Ian Ring Music TheoryPaptimic
Scale 2389Scale 2389: Eskimo Hexatonic 2, Ian Ring Music TheoryEskimo Hexatonic 2
Scale 2393Scale 2393: Zathimic, Ian Ring Music TheoryZathimic
Scale 2369Scale 2369, Ian Ring Music Theory
Scale 2377Scale 2377: Thoditonic, Ian Ring Music TheoryThoditonic
Scale 2401Scale 2401, Ian Ring Music Theory
Scale 2417Scale 2417: Kanimic, Ian Ring Music TheoryKanimic
Scale 2321Scale 2321: Zyphic, Ian Ring Music TheoryZyphic
Scale 2353Scale 2353: Raga Girija, Ian Ring Music TheoryRaga Girija
Scale 2449Scale 2449: Zacritonic, Ian Ring Music TheoryZacritonic
Scale 2513Scale 2513: Aerycrimic, Ian Ring Music TheoryAerycrimic
Scale 2129Scale 2129: Raga Nigamagamini, Ian Ring Music TheoryRaga Nigamagamini
Scale 2257Scale 2257: Lydian Pentatonic, Ian Ring Music TheoryLydian Pentatonic
Scale 2641Scale 2641: Raga Hindol, Ian Ring Music TheoryRaga Hindol
Scale 2897Scale 2897: Rycrimic, Ian Ring Music TheoryRycrimic
Scale 3409Scale 3409: Katanimic, Ian Ring Music TheoryKatanimic
Scale 337Scale 337: Koptic, Ian Ring Music TheoryKoptic
Scale 1361Scale 1361: Bolitonic, Ian Ring Music TheoryBolitonic

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, and MIDI playback by MIDI.js. Bibliography