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Scale 3707: "Rynygic"

Scale 3707: Rynygic, Ian Ring Music Theory

Bracelet Diagram

The bracelet shows tones that are in this scale, starting from the top (12 o'clock), going clockwise in ascending semitones. The "i" icon marks imperfect tones that do not have a tone a fifth above. Dotted lines indicate axes of symmetry.

Tonnetz Diagram

Tonnetz diagrams are popular in Neo-Riemannian theory. Notes are arranged in a lattice where perfect 5th intervals are from left to right, major third are northeast, and major 6th intervals are northwest. Other directions are inverse of their opposite. This diagram helps to visualize common triads (they're triangles) and circle-of-fifth relationships (horizontal lines).

Common Names

Zeitler
Rynygic
Dozenal
Xixian

Analysis

Cardinality

Cardinality is the count of how many pitches are in the scale.

9 (enneatonic)

Pitch Class Set

The tones in this scale, expressed as numbers from 0 to 11

{0,1,3,4,5,6,9,10,11}

Forte Number

A code assigned by theorist Allen Forte, for this pitch class set and all of its transpositional (rotation) and inversional (reflection) transformations.

9-5

Rotational Symmetry

Some scales have rotational symmetry, sometimes known as "limited transposition". If there are any rotational symmetries, these are the intervals of periodicity.

none

Reflection Axes

If a scale has an axis of reflective symmetry, then it can transform into itself by inversion. It also implies that the scale has Ridge Tones. Notably an axis of reflection can occur directly on a tone or half way between two tones.

none

Palindromicity

A palindromic scale has the same pattern of intervals both ascending and descending.

no

Chirality

A chiral scale can not be transformed into its inverse by rotation. If a scale is chiral, then it has an enantiomorph.

yes
enantiomorph: 3023

Hemitonia

A hemitone is two tones separated by a semitone interval. Hemitonia describes how many such hemitones exist.

7 (multihemitonic)

Cohemitonia

A cohemitone is an instance of two adjacent hemitones. Cohemitonia describes how many such cohemitones exist.

5 (multicohemitonic)

Imperfections

An imperfection is a tone which does not have a perfect fifth above it in the scale. This value is the quantity of imperfections in this scale.

2

Modes

Modes are the rotational transformations of this scale. This number does not include the scale itself, so the number is usually one less than its cardinality; unless there are rotational symmetries then there are even fewer modes.

8

Prime Form

Describes if this scale is in prime form, using the Rahn/Ring formula.

no
prime: 991

Generator

Indicates if the scale can be constructed using a generator, and an origin.

none

Deep Scale

A deep scale is one where the interval vector has 6 different digits.

no

Interval Structure

Defines the scale as the sequence of intervals between one tone and the next.

[1, 2, 1, 1, 1, 3, 1, 1, 1]

Interval Vector

Describes the intervallic content of the scale, read from left to right as the number of occurences of each interval size from semitone, up to six semitones.

<7, 6, 6, 6, 7, 4>

Interval Spectrum

The same as the Interval Vector, but expressed in a syntax used by Howard Hanson.

p7m6n6s6d7t4

Distribution Spectra

Describes the specific interval sizes that exist for each generic interval size. Each generic <g> has a spectrum {n,...}. The Spectrum Width is the difference between the highest and lowest values in each spectrum.

<1> = {1,2,3}
<2> = {2,3,4}
<3> = {3,4,5}
<4> = {4,5,6}
<5> = {6,7,8}
<6> = {7,8,9}
<7> = {8,9,10}
<8> = {9,10,11}

Spectra Variation

Determined by the Distribution Spectra; this is the sum of all spectrum widths divided by the scale cardinality.

1.778

Maximally Even

A scale is maximally even if the tones are optimally spaced apart from each other.

no

Maximal Area Set

A scale is a maximal area set if a polygon described by vertices dodecimetrically placed around a circle produces the maximal interior area for scales of the same cardinality. All maximally even sets have maximal area, but not all maximal area sets are maximally even.

no

Interior Area

Area of the polygon described by vertices placed for each tone of the scale dodecimetrically around a unit circle, ie a circle with radius of 1.

2.683

Polygon Perimeter

Perimeter of the polygon described by vertices placed for each tone of the scale dodecimetrically around a unit circle.

6.038

Myhill Property

A scale has Myhill Property if the Interval Spectra has exactly two specific intervals for every generic interval.

no

Balanced

A scale is balanced if the distribution of its tones would satisfy the "centrifuge problem", ie are placed such that it would balance on its centre point.

no

Ridge Tones

Ridge Tones are those that appear in all transpositions of a scale upon the members of that scale. Ridge Tones correspond directly with axes of reflective symmetry.

none

Propriety

Also known as Rothenberg Propriety, named after its inventor. Propriety describes whether every specific interval is uniquely mapped to a generic interval. A scale is either "Proper", "Strictly Proper", or "Improper".

Improper

Heteromorphic Profile

Defined by Norman Carey (2002), the heteromorphic profile is an ordered triple of (c, a, d) where c is the number of contradictions, a is the number of ambiguities, and d is the number of differences. When c is zero, the scale is Proper. When a is also zero, the scale is Strictly Proper.

(28, 94, 180)

Common Triads

These are the common triads (major, minor, augmented and diminished) that you can create from members of this scale.

* Pitches are shown with C as the root

Triad TypeTriad*Pitch ClassesDegreeEccentricityCloseness Centrality
Major TriadsF{5,9,0}342.21
F♯{6,10,1}342.14
A{9,1,4}342.21
B{11,3,6}242.64
Minor Triadsd♯m{3,6,10}342.36
f♯m{6,9,1}442.07
am{9,0,4}342.29
a♯m{10,1,5}342.21
Augmented TriadsC♯+{1,5,9}442
Diminished Triads{0,3,6}242.71
d♯°{3,6,9}242.43
f♯°{6,9,0}242.43
{9,0,3}242.57
a♯°{10,1,4}242.57
Parsimonious Voice Leading Between Common Triads of Scale 3707. Created by Ian Ring ©2019 c°->a° B B c°->B C#+ C#+ F F C#+->F f#m f#m C#+->f#m A A C#+->A a#m a#m C#+->a#m d#° d#° d#m d#m d#°->d#m d#°->f#m F# F# d#m->F# d#m->B f#° f#° F->f#° am am F->am f#°->f#m f#m->F# F#->a#m a°->am am->A a#° a#° A->a#° a#°->a#m

view full size

Above is a graph showing opportunities for parsimonious voice leading between triads*. Each line connects two triads that have two common tones, while the third tone changes by one generic scale step.

Diameter4
Radius4
Self-Centeredyes

Modes

Modes are the rotational transformation of this scale. Scale 3707 can be rotated to make 8 other scales. The 1st mode is itself.

2nd mode:
Scale 3901
Scale 3901: Bycrygic, Ian Ring Music TheoryBycrygic
3rd mode:
Scale 1999
Scale 1999: Zacrygic, Ian Ring Music TheoryZacrygic
4th mode:
Scale 3047
Scale 3047: Panygic, Ian Ring Music TheoryPanygic
5th mode:
Scale 3571
Scale 3571: Dyrygic, Ian Ring Music TheoryDyrygic
6th mode:
Scale 3833
Scale 3833: Dycrygic, Ian Ring Music TheoryDycrygic
7th mode:
Scale 991
Scale 991: Aeolygic, Ian Ring Music TheoryAeolygicThis is the prime mode
8th mode:
Scale 2543
Scale 2543: Dydygic, Ian Ring Music TheoryDydygic
9th mode:
Scale 3319
Scale 3319: Tholygic, Ian Ring Music TheoryTholygic

Prime

The prime form of this scale is Scale 991

Scale 991Scale 991: Aeolygic, Ian Ring Music TheoryAeolygic

Complement

The enneatonic modal family [3707, 3901, 1999, 3047, 3571, 3833, 991, 2543, 3319] (Forte: 9-5) is the complement of the tritonic modal family [67, 193, 2081] (Forte: 3-5)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 3707 is 3023

Scale 3023Scale 3023: Mothygic, Ian Ring Music TheoryMothygic

Enantiomorph

Only scales that are chiral will have an enantiomorph. Scale 3707 is chiral, and its enantiomorph is scale 3023

Scale 3023Scale 3023: Mothygic, Ian Ring Music TheoryMothygic

Transformations:

In the abbreviation, the subscript number after "T" is the number of semitones of tranposition, "M" means the pitch class is multiplied by 5, and "I" means the result is inverted. Operation is an identical way to express the same thing; the syntax is <a,b> where each tone of the set x is transformed by the equation y = ax + b

Abbrev Operation Result Abbrev Operation Result
T0 <1,0> 3707       T0I <11,0> 3023
T1 <1,1> 3319      T1I <11,1> 1951
T2 <1,2> 2543      T2I <11,2> 3902
T3 <1,3> 991      T3I <11,3> 3709
T4 <1,4> 1982      T4I <11,4> 3323
T5 <1,5> 3964      T5I <11,5> 2551
T6 <1,6> 3833      T6I <11,6> 1007
T7 <1,7> 3571      T7I <11,7> 2014
T8 <1,8> 3047      T8I <11,8> 4028
T9 <1,9> 1999      T9I <11,9> 3961
T10 <1,10> 3998      T10I <11,10> 3827
T11 <1,11> 3901      T11I <11,11> 3559
Abbrev Operation Result Abbrev Operation Result
T0M <5,0> 1007      T0MI <7,0> 3833
T1M <5,1> 2014      T1MI <7,1> 3571
T2M <5,2> 4028      T2MI <7,2> 3047
T3M <5,3> 3961      T3MI <7,3> 1999
T4M <5,4> 3827      T4MI <7,4> 3998
T5M <5,5> 3559      T5MI <7,5> 3901
T6M <5,6> 3023      T6MI <7,6> 3707
T7M <5,7> 1951      T7MI <7,7> 3319
T8M <5,8> 3902      T8MI <7,8> 2543
T9M <5,9> 3709      T9MI <7,9> 991
T10M <5,10> 3323      T10MI <7,10> 1982
T11M <5,11> 2551      T11MI <7,11> 3964

The transformations that map this set to itself are: T0, T6MI

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 3705Scale 3705: Messiaen Mode 4 Inverse, Ian Ring Music TheoryMessiaen Mode 4 Inverse
Scale 3709Scale 3709: Katynygic, Ian Ring Music TheoryKatynygic
Scale 3711Scale 3711: Decatonic Chromatic 4, Ian Ring Music TheoryDecatonic Chromatic 4
Scale 3699Scale 3699: Galyllic, Ian Ring Music TheoryGalyllic
Scale 3703Scale 3703: Katalygic, Ian Ring Music TheoryKatalygic
Scale 3691Scale 3691: Badyllic, Ian Ring Music TheoryBadyllic
Scale 3675Scale 3675: Monyllic, Ian Ring Music TheoryMonyllic
Scale 3643Scale 3643: Kydyllic, Ian Ring Music TheoryKydyllic
Scale 3771Scale 3771: Stophygic, Ian Ring Music TheoryStophygic
Scale 3835Scale 3835: Katodyllian, Ian Ring Music TheoryKatodyllian
Scale 3963Scale 3963: Aeoryllian, Ian Ring Music TheoryAeoryllian
Scale 3195Scale 3195: Raryllic, Ian Ring Music TheoryRaryllic
Scale 3451Scale 3451: Garygic, Ian Ring Music TheoryGarygic
Scale 2683Scale 2683: Thodyllic, Ian Ring Music TheoryThodyllic
Scale 1659Scale 1659: Maqam Shadd'araban, Ian Ring Music TheoryMaqam Shadd'araban

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. Scale notation generated by VexFlow, graph visualization by Graphviz, and MIDI playback by MIDI.js. All other diagrams and visualizations are © Ian Ring. Some scale names used on this and other pages are ©2005 William Zeitler (http://allthescales.org) used with permission.

Pitch spelling algorithm employed here is adapted from a method by Uzay Bora, Baris Tekin Tezel, and Alper Vahaplar. (An algorithm for spelling the pitches of any musical scale) Contact authors Patent owner: Dokuz Eylül University, Used with Permission. Contact TTO

Tons of background resources contributed to the production of this summary; for a list of these peruse this Bibliography. Special thanks to Richard Repp for helping with technical accuracy, and George Howlett for assistance with the Carnatic ragas.