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Scale 3833: "Dycrygic"

Scale 3833: Dycrygic, Ian Ring Music Theory

Bracelet Diagram

The bracelet shows tones that are in this scale, starting from the top (12 o'clock), going clockwise in ascending semitones. The "i" icon marks imperfect tones that do not have a tone a fifth above. Dotted lines indicate axes of symmetry.

Tonnetz Diagram

41161837294116105072918310504116183
Tonnetz diagrams are popular in Neo-Riemannian theory. Notes are arranged in a lattice where perfect 5th intervals are from left to right, major third are northeast, and major 6th intervals are northwest. Other directions are inverse of their opposite. This diagram helps to visualize common triads (they're triangles) and circle-of-fifth relationships (horizontal lines).

Common Names

Zeitler
Dycrygic

Analysis

Cardinality

Cardinality is the count of how many pitches are in the scale.

9 (nonatonic)

Pitch Class Set

The tones in this scale, expressed as numbers from 0 to 11

{0,3,4,5,6,7,9,10,11}

Forte Number

A code assigned by theorist Alan Forte, for this pitch class set and all of its transpositional (rotation) and inversional (reflection) transformations.

9-5

Rotational Symmetry

Some scales have rotational symmetry, sometimes known as "limited transposition". If there are any rotational symmetries, these are the intervals of periodicity.

none

Reflection Axes

If a scale has an axis of reflective symmetry, then it can transform into itself by inversion. It also implies that the scale has Ridge Tones. Notably an axis of reflection can occur directly on a tone or half way between two tones.

none

Palindromicity

A palindromic scale has the same pattern of intervals both ascending and descending.

no

Chirality

A chiral scale can not be transformed into its inverse by rotation. If a scale is chiral, then it has an enantiomorph.

yes
enantiomorph: 1007

Hemitonia

A hemitone is two tones separated by a semitone interval. Hemitonia describes how many such hemitones exist.

7 (multihemitonic)

Cohemitonia

A cohemitone is an instance of two adjacent hemitones. Cohemitonia describes how many such cohemitones exist.

5 (multicohemitonic)

Imperfections

An imperfection is a tone which does not have a perfect fifth above it in the scale. This value is the quantity of imperfections in this scale.

2

Modes

Modes are the rotational transformations of this scale. This number does not include the scale itself, so the number is usually one less than its cardinality; unless there are rotational symmetries then there are even fewer modes.

8

Prime Form

Describes if this scale is in prime form, using the Rahn/Ring formula.

no
prime: 991

Deep Scale

A deep scale is one where the interval vector has 6 different digits.

no

Interval Vector

Describes the intervallic content of the scale, read from left to right as the number of occurences of each interval size from semitone, up to six semitones.

[7, 6, 6, 6, 7, 4]

Interval Spectrum

The same as the Interval Vector, but expressed in a syntax used by Howard Hansen.

p7m6n6s6d7t4

Distribution Spectra

Describes the specific interval sizes that exist for each generic interval size. Each generic <g> has a spectrum {n,...}. The Spectrum Width is the difference between the highest and lowest values in each spectrum.

<1> = {1,2,3}
<2> = {2,3,4}
<3> = {3,4,5}
<4> = {4,5,6}
<5> = {6,7,8}
<6> = {7,8,9}
<7> = {8,9,10}
<8> = {9,10,11}

Spectra Variation

Determined by the Distribution Spectra; this is the sum of all spectrum widths divided by the scale cardinality.

1.778

Maximally Even

A scale is maximally even if the tones are optimally spaced apart from each other.

no

Maximal Area Set

A scale is a maximal area set if a polygon described by vertices dodecimetrically placed around a circle produces the maximal interior area for scales of the same cardinality. All maximally even sets have maximal area, but not all maximal area sets are maximally even.

no

Interior Area

Area of the polygon described by vertices placed for each tone of the scale dodecimetrically around a unit circle, ie a circle with radius of 1.

2.683

Polygon Perimeter

Perimeter of the polygon described by vertices placed for each tone of the scale dodecimetrically around a unit circle.

6.038

Myhill Property

A scale has Myhill Property if the Interval Spectra has exactly two specific intervals for every generic interval.

no

Balanced

A scale is balanced if the distribution of its tones would satisfy the "centrifuge problem", ie are placed such that it would balance on its centre point.

no

Ridge Tones

Ridge Tones are those that appear in all transpositions of a scale upon the members of that scale. Ridge Tones correspond directly with axes of reflective symmetry.

none

Propriety

Also known as Rothenberg Propriety, named after its inventor. Propriety describes whether every specific interval is uniquely mapped to a generic interval. A scale is either "Proper", "Strictly Proper", or "Improper".

Improper

Common Triads

These are the common triads (major, minor, augmented and diminished) that you can create from members of this scale.

* Pitches are shown with C as the root

Triad TypeTriad*Pitch ClassesDegreeEccentricityCloseness Centrality
Major TriadsC{0,4,7}342.14
D♯{3,7,10}342.21
F{5,9,0}242.64
B{11,3,6}342.21
Minor Triadscm{0,3,7}442.07
d♯m{3,6,10}342.29
em{4,7,11}342.21
am{9,0,4}342.36
Augmented TriadsD♯+{3,7,11}442
Diminished Triads{0,3,6}242.43
d♯°{3,6,9}242.57
{4,7,10}242.57
f♯°{6,9,0}242.71
{9,0,3}242.43
Parsimonious Voice Leading Between Common Triads of Scale 3833. Created by Ian Ring ©2019 cm cm c°->cm B B c°->B C C cm->C D#+ D#+ cm->D#+ cm->a° em em C->em am am C->am d#° d#° d#m d#m d#°->d#m f#° f#° d#°->f#° D# D# d#m->D# d#m->B D#->D#+ D#->e° D#+->em D#+->B e°->em F F F->f#° F->am a°->am

view full size

Above is a graph showing opportunities for parsimonious voice leading between triads*. Each line connects two triads that have two common tones, while the third tone changes by one generic scale step.

Diameter4
Radius4
Self-Centeredyes

Modes

Modes are the rotational transformation of this scale. Scale 3833 can be rotated to make 8 other scales. The 1st mode is itself.

2nd mode:
Scale 991
Scale 991: Aeolygic, Ian Ring Music TheoryAeolygicThis is the prime mode
3rd mode:
Scale 2543
Scale 2543: Dydygic, Ian Ring Music TheoryDydygic
4th mode:
Scale 3319
Scale 3319: Tholygic, Ian Ring Music TheoryTholygic
5th mode:
Scale 3707
Scale 3707: Rynygic, Ian Ring Music TheoryRynygic
6th mode:
Scale 3901
Scale 3901: Bycrygic, Ian Ring Music TheoryBycrygic
7th mode:
Scale 1999
Scale 1999: Zacrygic, Ian Ring Music TheoryZacrygic
8th mode:
Scale 3047
Scale 3047: Panygic, Ian Ring Music TheoryPanygic
9th mode:
Scale 3571
Scale 3571: Dyrygic, Ian Ring Music TheoryDyrygic

Prime

The prime form of this scale is Scale 991

Scale 991Scale 991: Aeolygic, Ian Ring Music TheoryAeolygic

Complement

The nonatonic modal family [3833, 991, 2543, 3319, 3707, 3901, 1999, 3047, 3571] (Forte: 9-5) is the complement of the tritonic modal family [67, 193, 2081] (Forte: 3-5)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 3833 is 1007

Scale 1007Scale 1007: Epitygic, Ian Ring Music TheoryEpitygic

Enantiomorph

Only scales that are chiral will have an enantiomorph. Scale 3833 is chiral, and its enantiomorph is scale 1007

Scale 1007Scale 1007: Epitygic, Ian Ring Music TheoryEpitygic

Transformations:

T0 3833  T0I 1007
T1 3571  T1I 2014
T2 3047  T2I 4028
T3 1999  T3I 3961
T4 3998  T4I 3827
T5 3901  T5I 3559
T6 3707  T6I 3023
T7 3319  T7I 1951
T8 2543  T8I 3902
T9 991  T9I 3709
T10 1982  T10I 3323
T11 3964  T11I 2551

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 3835Scale 3835: Katodyllian, Ian Ring Music TheoryKatodyllian
Scale 3837Scale 3837: Minor Pentatonic With Leading Tones, Ian Ring Music TheoryMinor Pentatonic With Leading Tones
Scale 3825Scale 3825: Pynyllic, Ian Ring Music TheoryPynyllic
Scale 3829Scale 3829: Taishikicho, Ian Ring Music TheoryTaishikicho
Scale 3817Scale 3817: Zoryllic, Ian Ring Music TheoryZoryllic
Scale 3801Scale 3801: Maptyllic, Ian Ring Music TheoryMaptyllic
Scale 3769Scale 3769: Eponyllic, Ian Ring Music TheoryEponyllic
Scale 3705Scale 3705: Messiaen Mode 4 Inverse, Ian Ring Music TheoryMessiaen Mode 4 Inverse
Scale 3961Scale 3961: Zathygic, Ian Ring Music TheoryZathygic
Scale 4089Scale 4089: Katoryllian, Ian Ring Music TheoryKatoryllian
Scale 3321Scale 3321: Epagyllic, Ian Ring Music TheoryEpagyllic
Scale 3577Scale 3577: Loptygic, Ian Ring Music TheoryLoptygic
Scale 2809Scale 2809: Gythyllic, Ian Ring Music TheoryGythyllic
Scale 1785Scale 1785: Tharyllic, Ian Ring Music TheoryTharyllic

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, graph visualization by Graphviz, and MIDI playback by MIDI.js. Some scale names used on this and other pages are ©2005 William Zeitler (http://allthescales.org) used with permission.

Pitch spelling algorithm employed here is adapted from a method by Uzay Bora, Baris Tekin Tezel, and Alper Vahaplar. (An algorithm for spelling the pitches of any musical scale) Contact authors Patent owner: Dokuz Eylül University, Used with Permission. Contact TTO

Tons of background resources contributed to the production of this summary; for a list of these peruse this Bibliography. Special thanks to Richard Repp for helping with technical accuracy.