*i* = imperfections

Tones | 5 (pentatonic) |
---|---|

Pitch Class Set | {0,1,5,6,10} |

Forte Number | 5-20 |

Rotational Symmetry | none |

Palindromic | no |

Hemitonia | 2 (dihemitonic) |

Cohemitonia | 0 (ancohemitonic) |

Imperfections | 2 |

Modes | 4 |

Prime? | no prime: 355 |

Chirality | yes enantiomorph: 2245 |

Deep Scale | no |

Interval Vector | 211231 |

Interval Spectrum | p^{3}m^{2}nsd^{2}t |

Distribution Spectra | <1> = {1,2,4} <2> = {3,5,6} <3> = {6,7,9} <4> = {8,10,11} |

Spectra Variation | 2.4 |

Myhill Property | no |

Coherence | no |

Heliotonic | no |

Modes are the rotational transformation of this scale. Scale 1123 can be rotated to make 4 other scales.

Scale 2609 | Raga Bhinna Shadja | |||

Scale 419 | Hon-kumoi-joshi | |||

Scale 2257 | Lydian Pentatonic | |||

Scale 397 | Hirajoshi |

The prime form of this scale is Scale 355

Scale 355 |

The pentatonic modal family [1123, 2609, 419, 2257, 397] is the negative of the heptatonic modal family [743, 919, 1849, 2419, 2507, 3257, 3301]

The inverse of a scale is a reflection using the root as its axis. The inverse of 1123 is 2245

Scale 2245 | Raga Vaijayanti |

Only scales that are chiral will have an enantiomorph. Scale 1123 is chiral, and its enantiomorph is scale 2245

Scale 2245 | Raga Vaijayanti |

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 1121 | ||||

Scale 1125 | ||||

Scale 1127 | ||||

Scale 1131 | Honchoshi plagal form | |||

Scale 1139 | ||||

Scale 1091 | ||||

Scale 1107 | ||||

Scale 1059 | ||||

Scale 1187 | Kokin-joshi | |||

Scale 1251 | ||||

Scale 1379 | ||||

Scale 1635 | ||||

Scale 99 | ||||

Scale 611 | ||||

Scale 2147 | ||||

Scale 3171 |

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, and MIDI playback by MIDI.js