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Scale 1243: "Epylian"

Scale 1243: Epylian, Ian Ring Music Theory

Bracelet Diagram

The bracelet shows tones that are in this scale, starting from the top (12 o'clock), going clockwise in ascending semitones. The "i" icon marks imperfect tones that do not have a tone a fifth above. Dotted lines indicate axes of symmetry.

Tonnetz Diagram

41161837294116105072918310504116183
Tonnetz diagrams are popular in Neo-Riemannian theory. Notes are arranged in a lattice where perfect 5th intervals are from left to right, major third are northeast, and major 6th intervals are northwest. Other directions are inverse of their opposite. This diagram helps to visualize common triads (they're triangles) and circle-of-fifth relationships (horizontal lines).

Common Names

Zeitler
Epylian

Analysis

Cardinality7 (heptatonic)
Pitch Class Set{0,1,3,4,6,7,10}
Forte Number7-31
Rotational Symmetrynone
Reflection Axesnone
Palindromicno
Chiralityyes
enantiomorph: 2917
Hemitonia3 (trihemitonic)
Cohemitonia0 (ancohemitonic)
Imperfections4
Modes6
Prime?no
prime: 731
Deep Scaleno
Interval Vector336333
Interval Spectrump3m3n6s3d3t3
Distribution Spectra<1> = {1,2,3}
<2> = {3,4,5}
<3> = {4,5,6}
<4> = {6,7,8}
<5> = {7,8,9}
<6> = {9,10,11}
Spectra Variation1.714
Maximally Evenno
Maximal Area Setno
Interior Area2.549
Myhill Propertyno
Balancedno
Ridge Tonesnone
ProprietyImproper
Heliotonicyes

Harmonic Chords

Common Triads

These are the common triads (major, minor, augmented and diminished) that you can create from members of this scale.

* Pitches are shown with C as the root

Triad TypeTriad*Pitch ClassesDegreeEccentricityCloseness Centrality
Major TriadsC{0,4,7}331.8
D♯{3,7,10}431.6
F♯{6,10,1}331.8
Minor Triadscm{0,3,7}331.7
d♯m{3,6,10}331.7
Diminished Triads{0,3,6}232
c♯°{1,4,7}232
{4,7,10}231.9
{7,10,1}231.9
a♯°{10,1,4}232
Parsimonious Voice Leading Between Common Triads of Scale 1243. Created by Ian Ring ©2019 cm cm c°->cm d#m d#m c°->d#m C C cm->C D# D# cm->D# c#° c#° C->c#° C->e° a#° a#° c#°->a#° d#m->D# F# F# d#m->F# D#->e° D#->g° F#->g° F#->a#°

view full size

Above is a graph showing opportunities for parsimonious voice leading between triads*. Each line connects two triads that have two common tones, while the third tone changes by one generic scale step.

Diameter3
Radius3
Self-Centeredyes

Modes

Modes are the rotational transformation of this scale. Scale 1243 can be rotated to make 6 other scales. The 1st mode is itself.

2nd mode:
Scale 2669
Scale 2669: Jeths' Mode, Ian Ring Music TheoryJeths' Mode
3rd mode:
Scale 1691
Scale 1691: Kathian, Ian Ring Music TheoryKathian
4th mode:
Scale 2893
Scale 2893: Lylian, Ian Ring Music TheoryLylian
5th mode:
Scale 1747
Scale 1747: Mela Ramapriya, Ian Ring Music TheoryMela Ramapriya
6th mode:
Scale 2921
Scale 2921: Pogian, Ian Ring Music TheoryPogian
7th mode:
Scale 877
Scale 877: Moravian Pistalkova, Ian Ring Music TheoryMoravian Pistalkova

Prime

The prime form of this scale is Scale 731

Scale 731Scale 731: Ionorian, Ian Ring Music TheoryIonorian

Complement

The heptatonic modal family [1243, 2669, 1691, 2893, 1747, 2921, 877] (Forte: 7-31) is the complement of the pentatonic modal family [587, 601, 713, 1609, 2341] (Forte: 5-31)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 1243 is 2917

Scale 2917Scale 2917: Nohkan Flute Scale, Ian Ring Music TheoryNohkan Flute Scale

Enantiomorph

Only scales that are chiral will have an enantiomorph. Scale 1243 is chiral, and its enantiomorph is scale 2917

Scale 2917Scale 2917: Nohkan Flute Scale, Ian Ring Music TheoryNohkan Flute Scale

Transformations:

T0 1243  T0I 2917
T1 2486  T1I 1739
T2 877  T2I 3478
T3 1754  T3I 2861
T4 3508  T4I 1627
T5 2921  T5I 3254
T6 1747  T6I 2413
T7 3494  T7I 731
T8 2893  T8I 1462
T9 1691  T9I 2924
T10 3382  T10I 1753
T11 2669  T11I 3506

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 1241Scale 1241: Pygimic, Ian Ring Music TheoryPygimic
Scale 1245Scale 1245: Lathian, Ian Ring Music TheoryLathian
Scale 1247Scale 1247: Aeodyllic, Ian Ring Music TheoryAeodyllic
Scale 1235Scale 1235: Messiaen Truncated Mode 2, Ian Ring Music TheoryMessiaen Truncated Mode 2
Scale 1239Scale 1239: Epaptian, Ian Ring Music TheoryEpaptian
Scale 1227Scale 1227: Thacrimic, Ian Ring Music TheoryThacrimic
Scale 1259Scale 1259: Stadian, Ian Ring Music TheoryStadian
Scale 1275Scale 1275: Stagyllic, Ian Ring Music TheoryStagyllic
Scale 1179Scale 1179: Sonimic, Ian Ring Music TheorySonimic
Scale 1211Scale 1211: Zadian, Ian Ring Music TheoryZadian
Scale 1115Scale 1115: Superlocrian Hexamirror, Ian Ring Music TheorySuperlocrian Hexamirror
Scale 1371Scale 1371: Superlocrian, Ian Ring Music TheorySuperlocrian
Scale 1499Scale 1499: Bebop Locrian, Ian Ring Music TheoryBebop Locrian
Scale 1755Scale 1755: Octatonic, Ian Ring Music TheoryOctatonic
Scale 219Scale 219: Istrian, Ian Ring Music TheoryIstrian
Scale 731Scale 731: Ionorian, Ian Ring Music TheoryIonorian
Scale 2267Scale 2267: Padian, Ian Ring Music TheoryPadian
Scale 3291Scale 3291: Lygyllic, Ian Ring Music TheoryLygyllic

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, graph visualization by Graphviz, and MIDI playback by MIDI.js. Some scale names used on this and other pages are ©2005 William Zeitler (http://allthescales.org) used with permission.

Pitch spelling algorithm employed here is adapted from a method by Uzay Bora, Baris Tekin Tezel, and Alper Vahaplar. (An algorithm for spelling the pitches of any musical scale) Contact authors Patent owner: Dokuz Eylül University, Used with Permission. Contact TTO

Tons of background resources contributed to the production of this summary; for a list of these peruse this Bibliography. Special thanks to Richard Repp for helping with technical accuracy.