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Scale 2499: "Pirian"

Scale 2499: Pirian, Ian Ring Music Theory

Bracelet Diagram

The bracelet shows tones that are in this scale, starting from the top (12 o'clock), going clockwise in ascending semitones. The "i" icon marks imperfect tones that do not have a tone a fifth above. Dotted lines indicate axes of symmetry.

Tonnetz Diagram

Tonnetz diagrams are popular in Neo-Riemannian theory. Notes are arranged in a lattice where perfect 5th intervals are from left to right, major third are northeast, and major 6th intervals are northwest. Other directions are inverse of their opposite. This diagram helps to visualize common triads (they're triangles) and circle-of-fifth relationships (horizontal lines).

Common Names

Dozenal
Pirian

Analysis

Cardinality

Cardinality is the count of how many pitches are in the scale.

6 (hexatonic)

Pitch Class Set

The tones in this scale, expressed as numbers from 0 to 11

{0,1,6,7,8,11}

Forte Number

A code assigned by theorist Allen Forte, for this pitch class set and all of its transpositional (rotation) and inversional (reflection) transformations.

6-Z6

Rotational Symmetry

Some scales have rotational symmetry, sometimes known as "limited transposition". If there are any rotational symmetries, these are the intervals of periodicity.

none

Reflection Axes

If a scale has an axis of reflective symmetry, then it can transform into itself by inversion. It also implies that the scale has Ridge Tones. Notably an axis of reflection can occur directly on a tone or half way between two tones.

[3.5]

Palindromicity

A palindromic scale has the same pattern of intervals both ascending and descending.

no

Chirality

A chiral scale can not be transformed into its inverse by rotation. If a scale is chiral, then it has an enantiomorph.

no

Hemitonia

A hemitone is two tones separated by a semitone interval. Hemitonia describes how many such hemitones exist.

4 (multihemitonic)

Cohemitonia

A cohemitone is an instance of two adjacent hemitones. Cohemitonia describes how many such cohemitones exist.

2 (dicohemitonic)

Imperfections

An imperfection is a tone which does not have a perfect fifth above it in the scale. This value is the quantity of imperfections in this scale.

2

Modes

Modes are the rotational transformations of this scale. This number does not include the scale itself, so the number is usually one less than its cardinality; unless there are rotational symmetries then there are even fewer modes.

5

Prime Form

Describes if this scale is in prime form, using the Rahn/Ring formula.

no
prime: 231

Generator

Indicates if the scale can be constructed using a generator, and an origin.

none

Deep Scale

A deep scale is one where the interval vector has 6 different digits.

no

Interval Structure

Defines the scale as the sequence of intervals between one tone and the next.

[1, 5, 1, 1, 3, 1]

Interval Vector

Describes the intervallic content of the scale, read from left to right as the number of occurences of each interval size from semitone, up to six semitones.

<4, 2, 1, 2, 4, 2>

Interval Spectrum

The same as the Interval Vector, but expressed in a syntax used by Howard Hanson.

p4m2ns2d4t2

Distribution Spectra

Describes the specific interval sizes that exist for each generic interval size. Each generic <g> has a spectrum {n,...}. The Spectrum Width is the difference between the highest and lowest values in each spectrum.

<1> = {1,3,5}
<2> = {2,4,6}
<3> = {5,7}
<4> = {6,8,10}
<5> = {7,9,11}

Spectra Variation

Determined by the Distribution Spectra; this is the sum of all spectrum widths divided by the scale cardinality.

3

Maximally Even

A scale is maximally even if the tones are optimally spaced apart from each other.

no

Maximal Area Set

A scale is a maximal area set if a polygon described by vertices dodecimetrically placed around a circle produces the maximal interior area for scales of the same cardinality. All maximally even sets have maximal area, but not all maximal area sets are maximally even.

no

Interior Area

Area of the polygon described by vertices placed for each tone of the scale dodecimetrically around a unit circle, ie a circle with radius of 1.

1.75

Polygon Perimeter

Perimeter of the polygon described by vertices placed for each tone of the scale dodecimetrically around a unit circle.

5.417

Myhill Property

A scale has Myhill Property if the Interval Spectra has exactly two specific intervals for every generic interval.

no

Balanced

A scale is balanced if the distribution of its tones would satisfy the "centrifuge problem", ie are placed such that it would balance on its centre point.

no

Ridge Tones

Ridge Tones are those that appear in all transpositions of a scale upon the members of that scale. Ridge Tones correspond directly with axes of reflective symmetry.

[7]

Propriety

Also known as Rothenberg Propriety, named after its inventor. Propriety describes whether every specific interval is uniquely mapped to a generic interval. A scale is either "Proper", "Strictly Proper", or "Improper".

Improper

Heteromorphic Profile

Defined by Norman Carey (2002), the heteromorphic profile is an ordered triple of (c, a, d) where c is the number of contradictions, a is the number of ambiguities, and d is the number of differences. When c is zero, the scale is Proper. When a is also zero, the scale is Strictly Proper.

(24, 10, 51)

Common Triads

There are no common triads (major, minor, augmented and diminished) that can be formed using notes in this scale.

Modes

Modes are the rotational transformation of this scale. Scale 2499 can be rotated to make 5 other scales. The 1st mode is itself.

2nd mode:
Scale 3297
Scale 3297: Ullian, Ian Ring Music TheoryUllian
3rd mode:
Scale 231
Scale 231: Bifian, Ian Ring Music TheoryBifianThis is the prime mode
4th mode:
Scale 2163
Scale 2163: Nebian, Ian Ring Music TheoryNebian
5th mode:
Scale 3129
Scale 3129: Toqian, Ian Ring Music TheoryToqian
6th mode:
Scale 903
Scale 903: Fosian, Ian Ring Music TheoryFosian

Prime

The prime form of this scale is Scale 231

Scale 231Scale 231: Bifian, Ian Ring Music TheoryBifian

Complement

The hexatonic modal family [2499, 3297, 231, 2163, 3129, 903] (Forte: 6-Z6) is the complement of the hexatonic modal family [399, 483, 2247, 2289, 3171, 3633] (Forte: 6-Z38)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 2499 is 2163

Scale 2163Scale 2163: Nebian, Ian Ring Music TheoryNebian

Transformations:

In the abbreviation, the subscript number after "T" is the number of semitones of tranposition, "M" means the pitch class is multiplied by 5, and "I" means the result is inverted. Operation is an identical way to express the same thing; the syntax is <a,b> where each tone of the set x is transformed by the equation y = ax + b

Abbrev Operation Result Abbrev Operation Result
T0 <1,0> 2499       T0I <11,0> 2163
T1 <1,1> 903      T1I <11,1> 231
T2 <1,2> 1806      T2I <11,2> 462
T3 <1,3> 3612      T3I <11,3> 924
T4 <1,4> 3129      T4I <11,4> 1848
T5 <1,5> 2163      T5I <11,5> 3696
T6 <1,6> 231      T6I <11,6> 3297
T7 <1,7> 462      T7I <11,7> 2499
T8 <1,8> 924      T8I <11,8> 903
T9 <1,9> 1848      T9I <11,9> 1806
T10 <1,10> 3696      T10I <11,10> 3612
T11 <1,11> 3297      T11I <11,11> 3129
Abbrev Operation Result Abbrev Operation Result
T0M <5,0> 2289      T0MI <7,0> 483
T1M <5,1> 483      T1MI <7,1> 966
T2M <5,2> 966      T2MI <7,2> 1932
T3M <5,3> 1932      T3MI <7,3> 3864
T4M <5,4> 3864      T4MI <7,4> 3633
T5M <5,5> 3633      T5MI <7,5> 3171
T6M <5,6> 3171      T6MI <7,6> 2247
T7M <5,7> 2247      T7MI <7,7> 399
T8M <5,8> 399      T8MI <7,8> 798
T9M <5,9> 798      T9MI <7,9> 1596
T10M <5,10> 1596      T10MI <7,10> 3192
T11M <5,11> 3192      T11MI <7,11> 2289

The transformations that map this set to itself are: T0, T7I

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 2497Scale 2497: Peqian, Ian Ring Music TheoryPeqian
Scale 2501Scale 2501: Ralimic, Ian Ring Music TheoryRalimic
Scale 2503Scale 2503: Mela Jhalavarali, Ian Ring Music TheoryMela Jhalavarali
Scale 2507Scale 2507: Todi That, Ian Ring Music TheoryTodi That
Scale 2515Scale 2515: Chromatic Hypolydian, Ian Ring Music TheoryChromatic Hypolydian
Scale 2531Scale 2531: Danian, Ian Ring Music TheoryDanian
Scale 2435Scale 2435: Raga Deshgaur, Ian Ring Music TheoryRaga Deshgaur
Scale 2467Scale 2467: Raga Padi, Ian Ring Music TheoryRaga Padi
Scale 2371Scale 2371: Omoian, Ian Ring Music TheoryOmoian
Scale 2243Scale 2243: Noyian, Ian Ring Music TheoryNoyian
Scale 2755Scale 2755: Rivian, Ian Ring Music TheoryRivian
Scale 3011Scale 3011, Ian Ring Music Theory
Scale 3523Scale 3523, Ian Ring Music Theory
Scale 451Scale 451: Raga Saugandhini, Ian Ring Music TheoryRaga Saugandhini
Scale 1475Scale 1475: Uffian, Ian Ring Music TheoryUffian

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. Scale notation generated by VexFlow, graph visualization by Graphviz, and MIDI playback by MIDI.js. All other diagrams and visualizations are © Ian Ring. Some scale names used on this and other pages are ©2005 William Zeitler (http://allthescales.org) used with permission.

Pitch spelling algorithm employed here is adapted from a method by Uzay Bora, Baris Tekin Tezel, and Alper Vahaplar. (An algorithm for spelling the pitches of any musical scale) Contact authors Patent owner: Dokuz Eylül University, Used with Permission. Contact TTO

Tons of background resources contributed to the production of this summary; for a list of these peruse this Bibliography. Special thanks to Richard Repp for helping with technical accuracy, and George Howlett for assistance with the Carnatic ragas.