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Scale 2649: "Aeolythimic"

Scale 2649: Aeolythimic, Ian Ring Music Theory

Bracelet Diagram

The bracelet shows tones that are in this scale, starting from the top (12 o'clock), going clockwise in ascending semitones. The "i" icon marks imperfect tones that do not have a tone a fifth above. Dotted lines indicate axes of symmetry.

Tonnetz Diagram

41161837294116105072918310504116183
Tonnetz diagrams are popular in Neo-Riemannian theory. Notes are arranged in a lattice where perfect 5th intervals are from left to right, major third are northeast, and major 6th intervals are northwest. Other directions are inverse of their opposite. This diagram helps to visualize common triads (they're triangles) and circle-of-fifth relationships (horizontal lines).

Common Names

Zeitler
Aeolythimic

Analysis

Cardinality

Cardinality is the count of how many pitches are in the scale.

6 (hexatonic)

Pitch Class Set

The tones in this scale, expressed as numbers from 0 to 11

{0,3,4,6,9,11}

Forte Number

A code assigned by theorist Alan Forte, for this pitch class set and all of its transpositional (rotation) and inversional (reflection) transformations.

6-Z29

Rotational Symmetry

Some scales have rotational symmetry, sometimes known as "limited transposition". If there are any rotational symmetries, these are the intervals of periodicity.

none

Reflection Axes

If a scale has an axis of reflective symmetry, then it can transform into itself by inversion. It also implies that the scale has Ridge Tones. Notably an axis of reflection can occur directly on a tone or half way between two tones.

[1.5]

Palindromicity

A palindromic scale has the same pattern of intervals both ascending and descending.

no

Chirality

A chiral scale can not be transformed into its inverse by rotation. If a scale is chiral, then it has an enantiomorph.

no

Hemitonia

A hemitone is two tones separated by a semitone interval. Hemitonia describes how many such hemitones exist.

2 (dihemitonic)

Cohemitonia

A cohemitone is an instance of two adjacent hemitones. Cohemitonia describes how many such cohemitones exist.

0 (ancohemitonic)

Imperfections

An imperfection is a tone which does not have a perfect fifth above it in the scale. This value is the quantity of imperfections in this scale.

3

Modes

Modes are the rotational transformations of this scale. This number does not include the scale itself, so the number is usually one less than its cardinality; unless there are rotational symmetries then there are even fewer modes.

5

Prime Form

Describes if this scale is in prime form, using the Rahn/Ring formula.

no
prime: 717

Deep Scale

A deep scale is one where the interval vector has 6 different digits.

no

Interval Vector

Describes the intervallic content of the scale, read from left to right as the number of occurences of each interval size from semitone, up to six semitones.

[2, 2, 4, 2, 3, 2]

Interval Spectrum

The same as the Interval Vector, but expressed in a syntax used by Howard Hansen.

p3m2n4s2d2t2

Distribution Spectra

Describes the specific interval sizes that exist for each generic interval size. Each generic <g> has a spectrum {n,...}. The Spectrum Width is the difference between the highest and lowest values in each spectrum.

<1> = {1,2,3}
<2> = {3,4,5}
<3> = {5,6,7}
<4> = {7,8,9}
<5> = {9,10,11}

Spectra Variation

Determined by the Distribution Spectra; this is the sum of all spectrum widths divided by the scale cardinality.

1.667

Maximally Even

A scale is maximally even if the tones are optimally spaced apart from each other.

no

Maximal Area Set

A scale is a maximal area set if a polygon described by vertices dodecimetrically placed around a circle produces the maximal interior area for scales of the same cardinality. All maximally even sets have maximal area, but not all maximal area sets are maximally even.

no

Interior Area

Area of the polygon described by vertices placed for each tone of the scale dodecimetrically around a unit circle, ie a circle with radius of 1.

2.366

Polygon Perimeter

Perimeter of the polygon described by vertices placed for each tone of the scale dodecimetrically around a unit circle.

5.864

Myhill Property

A scale has Myhill Property if the Interval Spectra has exactly two specific intervals for every generic interval.

no

Balanced

A scale is balanced if the distribution of its tones would satisfy the "centrifuge problem", ie are placed such that it would balance on its centre point.

no

Ridge Tones

Ridge Tones are those that appear in all transpositions of a scale upon the members of that scale. Ridge Tones correspond directly with axes of reflective symmetry.

[3]

Propriety

Also known as Rothenberg Propriety, named after its inventor. Propriety describes whether every specific interval is uniquely mapped to a generic interval. A scale is either "Proper", "Strictly Proper", or "Improper".

Proper

Common Triads

These are the common triads (major, minor, augmented and diminished) that you can create from members of this scale.

* Pitches are shown with C as the root

Triad TypeTriad*Pitch ClassesDegreeEccentricityCloseness Centrality
Major TriadsB{11,3,6}231.5
Minor Triadsam{9,0,4}231.5
Diminished Triads{0,3,6}231.5
d♯°{3,6,9}231.5
f♯°{6,9,0}231.5
{9,0,3}231.5
Parsimonious Voice Leading Between Common Triads of Scale 2649. Created by Ian Ring ©2019 c°->a° B B c°->B d#° d#° f#° f#° d#°->f#° d#°->B am am f#°->am a°->am

Above is a graph showing opportunities for parsimonious voice leading between triads*. Each line connects two triads that have two common tones, while the third tone changes by one generic scale step.

Diameter3
Radius3
Self-Centeredyes

Modes

Modes are the rotational transformation of this scale. Scale 2649 can be rotated to make 5 other scales. The 1st mode is itself.

2nd mode:
Scale 843
Scale 843: Molimic, Ian Ring Music TheoryMolimic
3rd mode:
Scale 2469
Scale 2469: Raga Bhinna Pancama, Ian Ring Music TheoryRaga Bhinna Pancama
4th mode:
Scale 1641
Scale 1641: Bocrimic, Ian Ring Music TheoryBocrimic
5th mode:
Scale 717
Scale 717: Raga Vijayanagari, Ian Ring Music TheoryRaga VijayanagariThis is the prime mode
6th mode:
Scale 1203
Scale 1203: Pagimic, Ian Ring Music TheoryPagimic

Prime

The prime form of this scale is Scale 717

Scale 717Scale 717: Raga Vijayanagari, Ian Ring Music TheoryRaga Vijayanagari

Complement

The hexatonic modal family [2649, 843, 2469, 1641, 717, 1203] (Forte: 6-Z29) is the complement of the hexatonic modal family [723, 813, 1227, 1689, 2409, 2661] (Forte: 6-Z50)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 2649 is 843

Scale 843Scale 843: Molimic, Ian Ring Music TheoryMolimic

Transformations:

T0 2649  T0I 843
T1 1203  T1I 1686
T2 2406  T2I 3372
T3 717  T3I 2649
T4 1434  T4I 1203
T5 2868  T5I 2406
T6 1641  T6I 717
T7 3282  T7I 1434
T8 2469  T8I 2868
T9 843  T9I 1641
T10 1686  T10I 3282
T11 3372  T11I 2469

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 2651Scale 2651: Panian, Ian Ring Music TheoryPanian
Scale 2653Scale 2653: Sygian, Ian Ring Music TheorySygian
Scale 2641Scale 2641: Raga Hindol, Ian Ring Music TheoryRaga Hindol
Scale 2645Scale 2645: Raga Mruganandana, Ian Ring Music TheoryRaga Mruganandana
Scale 2633Scale 2633: Bartók Beta Chord, Ian Ring Music TheoryBartók Beta Chord
Scale 2665Scale 2665: Aeradimic, Ian Ring Music TheoryAeradimic
Scale 2681Scale 2681: Aerycrian, Ian Ring Music TheoryAerycrian
Scale 2585Scale 2585, Ian Ring Music Theory
Scale 2617Scale 2617: Pylimic, Ian Ring Music TheoryPylimic
Scale 2713Scale 2713: Porimic, Ian Ring Music TheoryPorimic
Scale 2777Scale 2777: Aeolian Harmonic, Ian Ring Music TheoryAeolian Harmonic
Scale 2905Scale 2905: Aeolian Flat 1, Ian Ring Music TheoryAeolian Flat 1
Scale 2137Scale 2137, Ian Ring Music Theory
Scale 2393Scale 2393: Zathimic, Ian Ring Music TheoryZathimic
Scale 3161Scale 3161: Kodimic, Ian Ring Music TheoryKodimic
Scale 3673Scale 3673: Ranian, Ian Ring Music TheoryRanian
Scale 601Scale 601: Bycritonic, Ian Ring Music TheoryBycritonic
Scale 1625Scale 1625: Lythimic, Ian Ring Music TheoryLythimic

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, graph visualization by Graphviz, and MIDI playback by MIDI.js. Some scale names used on this and other pages are ©2005 William Zeitler (http://allthescales.org) used with permission.

Pitch spelling algorithm employed here is adapted from a method by Uzay Bora, Baris Tekin Tezel, and Alper Vahaplar. (An algorithm for spelling the pitches of any musical scale) Contact authors Patent owner: Dokuz Eylül University, Used with Permission. Contact TTO

Tons of background resources contributed to the production of this summary; for a list of these peruse this Bibliography. Special thanks to Richard Repp for helping with technical accuracy.