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Scale 915: "Raga Kalagada"

Scale 915: Raga Kalagada, Ian Ring Music Theory

Bracelet Diagram

The bracelet shows tones that are in this scale, starting from the top (12 o'clock), going clockwise in ascending semitones. The "i" icon marks imperfect tones that do not have a tone a fifth above. Dotted lines indicate axes of symmetry.

Tonnetz Diagram

Tonnetz diagrams are popular in Neo-Riemannian theory. Notes are arranged in a lattice where perfect 5th intervals are from left to right, major third are northeast, and major 6th intervals are northwest. Other directions are inverse of their opposite. This diagram helps to visualize common triads (they're triangles) and circle-of-fifth relationships (horizontal lines).

Common Names

Carnatic
Raga Kalagada
Raga Kalgada
Dozenal
Fozian
Zeitler
Loptimic

Analysis

Cardinality

Cardinality is the count of how many pitches are in the scale.

6 (hexatonic)

Pitch Class Set

The tones in this scale, expressed as numbers from 0 to 11

{0,1,4,7,8,9}

Forte Number

A code assigned by theorist Allen Forte, for this pitch class set and all of its transpositional (rotation) and inversional (reflection) transformations.

6-Z44

Rotational Symmetry

Some scales have rotational symmetry, sometimes known as "limited transposition". If there are any rotational symmetries, these are the intervals of periodicity.

none

Reflection Axes

If a scale has an axis of reflective symmetry, then it can transform into itself by inversion. It also implies that the scale has Ridge Tones. Notably an axis of reflection can occur directly on a tone or half way between two tones.

none

Palindromicity

A palindromic scale has the same pattern of intervals both ascending and descending.

no

Chirality

A chiral scale can not be transformed into its inverse by rotation. If a scale is chiral, then it has an enantiomorph.

yes
enantiomorph: 2361

Hemitonia

A hemitone is two tones separated by a semitone interval. Hemitonia describes how many such hemitones exist.

3 (trihemitonic)

Cohemitonia

A cohemitone is an instance of two adjacent hemitones. Cohemitonia describes how many such cohemitones exist.

1 (uncohemitonic)

Imperfections

An imperfection is a tone which does not have a perfect fifth above it in the scale. This value is the quantity of imperfections in this scale.

3

Modes

Modes are the rotational transformations of this scale. This number does not include the scale itself, so the number is usually one less than its cardinality; unless there are rotational symmetries then there are even fewer modes.

5

Prime Form

Describes if this scale is in prime form, using the Rahn/Ring formula.

no
prime: 615

Generator

Indicates if the scale can be constructed using a generator, and an origin.

none

Deep Scale

A deep scale is one where the interval vector has 6 different digits.

no

Interval Structure

Defines the scale as the sequence of intervals between one tone and the next.

[1, 3, 3, 1, 1, 3]

Interval Vector

Describes the intervallic content of the scale, read from left to right as the number of occurences of each interval size from semitone, up to six semitones.

<3, 1, 3, 4, 3, 1>

Interval Spectrum

The same as the Interval Vector, but expressed in a syntax used by Howard Hanson.

p3m4n3sd3t

Distribution Spectra

Describes the specific interval sizes that exist for each generic interval size. Each generic <g> has a spectrum {n,...}. The Spectrum Width is the difference between the highest and lowest values in each spectrum.

<1> = {1,3}
<2> = {2,4,6}
<3> = {5,7}
<4> = {6,8,10}
<5> = {9,11}

Spectra Variation

Determined by the Distribution Spectra; this is the sum of all spectrum widths divided by the scale cardinality.

2.333

Maximally Even

A scale is maximally even if the tones are optimally spaced apart from each other.

no

Maximal Area Set

A scale is a maximal area set if a polygon described by vertices dodecimetrically placed around a circle produces the maximal interior area for scales of the same cardinality. All maximally even sets have maximal area, but not all maximal area sets are maximally even.

no

Interior Area

Area of the polygon described by vertices placed for each tone of the scale dodecimetrically around a unit circle, ie a circle with radius of 1.

2.25

Polygon Perimeter

Perimeter of the polygon described by vertices placed for each tone of the scale dodecimetrically around a unit circle.

5.796

Myhill Property

A scale has Myhill Property if the Interval Spectra has exactly two specific intervals for every generic interval.

no

Balanced

A scale is balanced if the distribution of its tones would satisfy the "centrifuge problem", ie are placed such that it would balance on its centre point.

no

Ridge Tones

Ridge Tones are those that appear in all transpositions of a scale upon the members of that scale. Ridge Tones correspond directly with axes of reflective symmetry.

none

Propriety

Also known as Rothenberg Propriety, named after its inventor. Propriety describes whether every specific interval is uniquely mapped to a generic interval. A scale is either "Proper", "Strictly Proper", or "Improper".

Improper

Heteromorphic Profile

Defined by Norman Carey (2002), the heteromorphic profile is an ordered triple of (c, a, d) where c is the number of contradictions, a is the number of ambiguities, and d is the number of differences. When c is zero, the scale is Proper. When a is also zero, the scale is Strictly Proper.

(12, 1, 45)

Common Triads

These are the common triads (major, minor, augmented and diminished) that you can create from members of this scale.

* Pitches are shown with C as the root

Triad TypeTriad*Pitch ClassesDegreeEccentricityCloseness Centrality
Major TriadsC{0,4,7}231.5
A{9,1,4}231.5
Minor Triadsc♯m{1,4,8}321.17
am{9,0,4}231.5
Augmented TriadsC+{0,4,8}321.17
Diminished Triadsc♯°{1,4,7}231.5
Parsimonious Voice Leading Between Common Triads of Scale 915. Created by Ian Ring ©2019 C C C+ C+ C->C+ c#° c#° C->c#° c#m c#m C+->c#m am am C+->am c#°->c#m A A c#m->A am->A

Above is a graph showing opportunities for parsimonious voice leading between triads*. Each line connects two triads that have two common tones, while the third tone changes by one generic scale step.

Diameter3
Radius2
Self-Centeredno
Central VerticesC+, c♯m
Peripheral VerticesC, c♯°, am, A

Modes

Modes are the rotational transformation of this scale. Scale 915 can be rotated to make 5 other scales. The 1st mode is itself.

2nd mode:
Scale 2505
Scale 2505: Mydimic, Ian Ring Music TheoryMydimic
3rd mode:
Scale 825
Scale 825: Thyptimic, Ian Ring Music TheoryThyptimic
4th mode:
Scale 615
Scale 615: Schoenberg Hexachord, Ian Ring Music TheorySchoenberg HexachordThis is the prime mode
5th mode:
Scale 2355
Scale 2355: Raga Lalita, Ian Ring Music TheoryRaga Lalita
6th mode:
Scale 3225
Scale 3225: Ionalimic, Ian Ring Music TheoryIonalimic

Prime

The prime form of this scale is Scale 615

Scale 615Scale 615: Schoenberg Hexachord, Ian Ring Music TheorySchoenberg Hexachord

Complement

The hexatonic modal family [915, 2505, 825, 615, 2355, 3225] (Forte: 6-Z44) is the complement of the hexatonic modal family [411, 867, 1587, 2253, 2481, 2841] (Forte: 6-Z19)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 915 is 2361

Scale 2361Scale 2361: Docrimic, Ian Ring Music TheoryDocrimic

Enantiomorph

Only scales that are chiral will have an enantiomorph. Scale 915 is chiral, and its enantiomorph is scale 2361

Scale 2361Scale 2361: Docrimic, Ian Ring Music TheoryDocrimic

Transformations:

In the abbreviation, the subscript number after "T" is the number of semitones of tranposition, "M" means the pitch class is multiplied by 5, and "I" means the result is inverted. Operation is an identical way to express the same thing; the syntax is <a,b> where each tone of the set x is transformed by the equation y = ax + b

Abbrev Operation Result Abbrev Operation Result
T0 <1,0> 915       T0I <11,0> 2361
T1 <1,1> 1830      T1I <11,1> 627
T2 <1,2> 3660      T2I <11,2> 1254
T3 <1,3> 3225      T3I <11,3> 2508
T4 <1,4> 2355      T4I <11,4> 921
T5 <1,5> 615      T5I <11,5> 1842
T6 <1,6> 1230      T6I <11,6> 3684
T7 <1,7> 2460      T7I <11,7> 3273
T8 <1,8> 825      T8I <11,8> 2451
T9 <1,9> 1650      T9I <11,9> 807
T10 <1,10> 3300      T10I <11,10> 1614
T11 <1,11> 2505      T11I <11,11> 3228
Abbrev Operation Result Abbrev Operation Result
T0M <5,0> 2865      T0MI <7,0> 411
T1M <5,1> 1635      T1MI <7,1> 822
T2M <5,2> 3270      T2MI <7,2> 1644
T3M <5,3> 2445      T3MI <7,3> 3288
T4M <5,4> 795      T4MI <7,4> 2481
T5M <5,5> 1590      T5MI <7,5> 867
T6M <5,6> 3180      T6MI <7,6> 1734
T7M <5,7> 2265      T7MI <7,7> 3468
T8M <5,8> 435      T8MI <7,8> 2841
T9M <5,9> 870      T9MI <7,9> 1587
T10M <5,10> 1740      T10MI <7,10> 3174
T11M <5,11> 3480      T11MI <7,11> 2253

The transformations that map this set to itself are: T0

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 913Scale 913: Aeolyritonic, Ian Ring Music TheoryAeolyritonic
Scale 917Scale 917: Dygimic, Ian Ring Music TheoryDygimic
Scale 919Scale 919: Chromatic Phrygian Inverse, Ian Ring Music TheoryChromatic Phrygian Inverse
Scale 923Scale 923: Ultraphrygian, Ian Ring Music TheoryUltraphrygian
Scale 899Scale 899: Foqian, Ian Ring Music TheoryFoqian
Scale 907Scale 907: Tholimic, Ian Ring Music TheoryTholimic
Scale 931Scale 931: Raga Kalakanthi, Ian Ring Music TheoryRaga Kalakanthi
Scale 947Scale 947: Mela Gayakapriya, Ian Ring Music TheoryMela Gayakapriya
Scale 979Scale 979: Mela Dhavalambari, Ian Ring Music TheoryMela Dhavalambari
Scale 787Scale 787: Aeolapritonic, Ian Ring Music TheoryAeolapritonic
Scale 851Scale 851: Raga Hejjajji, Ian Ring Music TheoryRaga Hejjajji
Scale 659Scale 659: Raga Rasika Ranjani, Ian Ring Music TheoryRaga Rasika Ranjani
Scale 403Scale 403: Raga Reva, Ian Ring Music TheoryRaga Reva
Scale 1427Scale 1427: Lolimic, Ian Ring Music TheoryLolimic
Scale 1939Scale 1939: Dathian, Ian Ring Music TheoryDathian
Scale 2963Scale 2963: Bygian, Ian Ring Music TheoryBygian

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. Scale notation generated by VexFlow, graph visualization by Graphviz, and MIDI playback by MIDI.js. All other diagrams and visualizations are © Ian Ring. Some scale names used on this and other pages are ©2005 William Zeitler (http://allthescales.org) used with permission.

Pitch spelling algorithm employed here is adapted from a method by Uzay Bora, Baris Tekin Tezel, and Alper Vahaplar. (An algorithm for spelling the pitches of any musical scale) Contact authors Patent owner: Dokuz Eylül University, Used with Permission. Contact TTO

Tons of background resources contributed to the production of this summary; for a list of these peruse this Bibliography. Special thanks to Richard Repp for helping with technical accuracy, and George Howlett for assistance with the Carnatic ragas.