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Scale 427: "Raga Suddha Simantini"

Scale 427: Raga Suddha Simantini, Ian Ring Music Theory

Bracelet Diagram

Tonnetz Diagram

41161837294116105072918310504116183

Common Names

Carnatic Raga
Raga Suddha Simantini
Zeitler
Zothimic

Analysis

Cardinality6 (hexatonic)
Pitch Class Set{0,1,3,5,7,8}
Forte Number6-Z26
Rotational Symmetrynone
Reflection Axes4
Palindromicno
Chiralityno
Hemitonia2 (dihemitonic)
Cohemitonia0 (ancohemitonic)
Imperfections2
Modes5
Prime?yes
Deep Scaleno
Interval Vector232341
Interval Spectrump4m3n2s3d2t
Distribution Spectra<1> = {1,2,4}
<2> = {3,4,5}
<3> = {5,6,7}
<4> = {7,8,9}
<5> = {8,10,11}
Spectra Variation2
Maximally Evenno
Myhill Propertyno
Balancedno
Ridge Tones[8]
Coherenceno
Heliotonicno

Modes

Modes are the rotational transformation of this scale. Scale 427 can be rotated to make 5 other scales. The 1st mode is itself.

2nd mode:
Scale 2261
Scale 2261: Raga Caturangini, Ian Ring Music TheoryRaga Caturangini
3rd mode:
Scale 1589
Scale 1589: Raga Rageshri, Ian Ring Music TheoryRaga Rageshri
4th mode:
Scale 1421
Scale 1421: Raga Trimurti, Ian Ring Music TheoryRaga Trimurti
5th mode:
Scale 1379
Scale 1379: Kycrimic, Ian Ring Music TheoryKycrimic
6th mode:
Scale 2737
Scale 2737: Raga Hari Nata, Ian Ring Music TheoryRaga Hari Nata

Prime

This is the prime form of this scale.

Complement

The hexatonic modal family [427, 2261, 1589, 1421, 1379, 2737] (Forte: 6-Z26) is the complement of the hexatonic modal family [679, 917, 1253, 1337, 2387, 3241] (Forte: 6-Z48)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 427 is 2737

Scale 2737Scale 2737: Raga Hari Nata, Ian Ring Music TheoryRaga Hari Nata

Transformations:

T0 427  T0I 2737
T1 854  T1I 1379
T2 1708  T2I 2758
T3 3416  T3I 1421
T4 2737  T4I 2842
T5 1379  T5I 1589
T6 2758  T6I 3178
T7 1421  T7I 2261
T8 2842  T8I 427
T9 1589  T9I 854
T10 3178  T10I 1708
T11 2261  T11I 3416

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 425Scale 425: Raga Kokil Pancham, Ian Ring Music TheoryRaga Kokil Pancham
Scale 429Scale 429: Koptimic, Ian Ring Music TheoryKoptimic
Scale 431Scale 431: Epyrian, Ian Ring Music TheoryEpyrian
Scale 419Scale 419: Hon-kumoi-joshi, Ian Ring Music TheoryHon-kumoi-joshi
Scale 423Scale 423: Sogimic, Ian Ring Music TheorySogimic
Scale 435Scale 435: Raga Purna Pancama, Ian Ring Music TheoryRaga Purna Pancama
Scale 443Scale 443: Kothian, Ian Ring Music TheoryKothian
Scale 395Scale 395: Phrygian Pentatonic, Ian Ring Music TheoryPhrygian Pentatonic
Scale 411Scale 411: Lygimic, Ian Ring Music TheoryLygimic
Scale 459Scale 459: Zaptimic, Ian Ring Music TheoryZaptimic
Scale 491Scale 491: Aeolyrian, Ian Ring Music TheoryAeolyrian
Scale 299Scale 299: Raga Chitthakarshini, Ian Ring Music TheoryRaga Chitthakarshini
Scale 363Scale 363: Soptimic, Ian Ring Music TheorySoptimic
Scale 171Scale 171, Ian Ring Music Theory
Scale 683Scale 683: Stogimic, Ian Ring Music TheoryStogimic
Scale 939Scale 939: Mela Senavati, Ian Ring Music TheoryMela Senavati
Scale 1451Scale 1451: Phrygian, Ian Ring Music TheoryPhrygian
Scale 2475Scale 2475: Neapolitan Minor, Ian Ring Music TheoryNeapolitan Minor

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, and MIDI playback by MIDI.js. Bibliography