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Scale 1717: "Mixolydian"

Also known as: Greek Hypophrygian, Greek Ionian, Greek Iastian, Medieval Mixolydian, Greek Medieval Hypoionian, Hypermixolydian, Khamaj That, Khamaj Theta, Mela Harikambhoji, Raga Harini, Janjhuti, Khambhavati, Surati, Balahamsa, Devamanohari, Mischung 3, Gregorian nr.7, Enharmonic Byzantine Liturgical, Rast descending, Ching, Shang

Scale 1717: Mixolydian, Ian Ring Music Theory
i

i = imperfections

Tones7 (heptatonic)
Pitch Class Set{0,2,4,5,7,9,10}
Forte Number7-35
Rotational Symmetrynone
Palindromicno
Hemitonia2 (dihemitonic)
Cohemitonia0 (ancohemitonic)
Imperfections1
Modes6
Prime?no
prime: 1387
Chiralityno
Deep Scaleyes
Interval Vector254361
Interval Spectrump6m3n4s5d2t
Distribution Spectra<1> = {1,2}
<2> = {3,4}
<3> = {5,6}
<4> = {6,7}
<5> = {8,9}
<6> = {10,11}
Spectra Variation0.857
Myhill Propertyyes
Coherenceno
Heliotonicyes

Harmonic Chords

Modes

Modes are the rotational transformation of this scale. Scale 1717 can be rotated to make 6 other scales. The 1st mode is itself.

2nd mode:
Scale 1453
Scale 1453: Aeolian, Ian Ring Music TheoryAeolian
3rd mode:
Scale 1387
Scale 1387: Locrian, Ian Ring Music TheoryLocrianThis is the prime mode
4th mode:
Scale 2741
Scale 2741: Major, Ian Ring Music TheoryMajor
5th mode:
Scale 1709
Scale 1709: Dorian, Ian Ring Music TheoryDorian
6th mode:
Scale 1451
Scale 1451: Phrygian, Ian Ring Music TheoryPhrygian
7th mode:
Scale 2773
Scale 2773: Lydian, Ian Ring Music TheoryLydian

Prime

The prime form of this scale is Scale 1387

Scale 1387Scale 1387: Locrian, Ian Ring Music TheoryLocrian

Negative

The heptatonic modal family [1717, 1453, 1387, 2741, 1709, 1451, 2773] is the negative of the pentatonic modal family [661, 677, 1189, 1193, 1321]

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 1717 is 1453

Scale 1453Scale 1453: Aeolian, Ian Ring Music TheoryAeolian

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 1719Scale 1719, Ian Ring Music Theory
Scale 1713Scale 1713: Raga Khamas, Ian Ring Music TheoryRaga Khamas
Scale 1715Scale 1715: Harmonic Minor inverse, Ian Ring Music TheoryHarmonic Minor inverse
Scale 1721Scale 1721: Mela Vagadhisvari, Ian Ring Music TheoryMela Vagadhisvari
Scale 1725Scale 1725: Minor Bebop, Ian Ring Music TheoryMinor Bebop
Scale 1701Scale 1701: Dominant Seventh, Ian Ring Music TheoryDominant Seventh
Scale 1709Scale 1709: Dorian, Ian Ring Music TheoryDorian
Scale 1685Scale 1685, Ian Ring Music Theory
Scale 1749Scale 1749: Acoustic, Ian Ring Music TheoryAcoustic
Scale 1781Scale 1781, Ian Ring Music Theory
Scale 1589Scale 1589: Raga Rageshri, Ian Ring Music TheoryRaga Rageshri
Scale 1653Scale 1653: Minor Romani inverse, Ian Ring Music TheoryMinor Romani inverse
Scale 1845Scale 1845, Ian Ring Music Theory
Scale 1973Scale 1973, Ian Ring Music Theory
Scale 1205Scale 1205: Raga Siva Kambhoji, Ian Ring Music TheoryRaga Siva Kambhoji
Scale 1461Scale 1461: Major-Minor, Ian Ring Music TheoryMajor-Minor
Scale 693Scale 693: Arezzo Major Diatonic Hexachord, Ian Ring Music TheoryArezzo Major Diatonic Hexachord
Scale 2741Scale 2741: Major, Ian Ring Music TheoryMajor
Scale 3765Scale 3765: Dominant Bebop, Ian Ring Music TheoryDominant Bebop

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, and MIDI playback by MIDI.js