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Scale 2677: "Thodian"

Scale 2677: Thodian, Ian Ring Music Theory

Bracelet Diagram

The bracelet shows tones that are in this scale, starting from the top (12 o'clock), going clockwise in ascending semitones. The "i" icon marks imperfect tones that do not have a tone a fifth above. Dotted lines indicate axes of symmetry.

Tonnetz Diagram

41161837294116105072918310504116183
Tonnetz diagrams are popular in Neo-Riemannian theory. Notes are arranged in a lattice where perfect 5th intervals are from left to right, major third are northeast, and major 6th intervals are northwest. Other directions are inverse of their opposite. This diagram helps to visualize common triads (they're triangles) and circle-of-fifth relationships (horizontal lines).

Common Names

Zeitler
Thodian

Analysis

Cardinality7 (heptatonic)
Pitch Class Set{0,2,4,5,6,9,11}
Forte Number7-29
Rotational Symmetrynone
Reflection Axesnone
Palindromicno
Chiralityyes
enantiomorph: 1483
Hemitonia3 (trihemitonic)
Cohemitonia1 (uncohemitonic)
Imperfections2
Modes6
Prime?no
prime: 727
Deep Scaleno
Interval Vector344352
Interval Spectrump5m3n4s4d3t2
Distribution Spectra<1> = {1,2,3}
<2> = {2,3,4,5}
<3> = {4,5,6}
<4> = {6,7,8}
<5> = {7,8,9,10}
<6> = {9,10,11}
Spectra Variation2
Maximally Evenno
Maximal Area Setno
Interior Area2.549
Myhill Propertyno
Balancedno
Ridge Tonesnone
ProprietyImproper
Heliotonicyes

Harmonic Chords

Common Triads

These are the common triads (major, minor, augmented and diminished) that you can create from members of this scale.

* Pitches are shown with C as the root

Triad TypeTriad*Pitch ClassesDegreeEccentricityCloseness Centrality
Major TriadsD{2,6,9}331.43
F{5,9,0}331.43
Minor Triadsdm{2,5,9}321.29
am{9,0,4}142.14
bm{11,2,6}241.86
Diminished Triadsf♯°{6,9,0}231.57
{11,2,5}231.71
Parsimonious Voice Leading Between Common Triads of Scale 2677. Created by Ian Ring ©2019 dm dm D D dm->D F F dm->F dm->b° f#° f#° D->f#° bm bm D->bm F->f#° am am F->am b°->bm

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Above is a graph showing opportunities for parsimonious voice leading between triads*. Each line connects two triads that have two common tones, while the third tone changes by one generic scale step.

Diameter4
Radius2
Self-Centeredno
Central Verticesdm
Peripheral Verticesam, bm

Modes

Modes are the rotational transformation of this scale. Scale 2677 can be rotated to make 6 other scales. The 1st mode is itself.

2nd mode:
Scale 1693
Scale 1693: Dogian, Ian Ring Music TheoryDogian
3rd mode:
Scale 1447
Scale 1447: Mela Ratnangi, Ian Ring Music TheoryMela Ratnangi
4th mode:
Scale 2771
Scale 2771: Marva That, Ian Ring Music TheoryMarva That
5th mode:
Scale 3433
Scale 3433: Thonian, Ian Ring Music TheoryThonian
6th mode:
Scale 941
Scale 941: Mela Jhankaradhvani, Ian Ring Music TheoryMela Jhankaradhvani
7th mode:
Scale 1259
Scale 1259: Stadian, Ian Ring Music TheoryStadian

Prime

The prime form of this scale is Scale 727

Scale 727Scale 727: Phradian, Ian Ring Music TheoryPhradian

Complement

The heptatonic modal family [2677, 1693, 1447, 2771, 3433, 941, 1259] (Forte: 7-29) is the complement of the pentatonic modal family [331, 709, 1201, 1577, 2213] (Forte: 5-29)

Inverse

The inverse of a scale is a reflection using the root as its axis. The inverse of 2677 is 1483

Scale 1483Scale 1483: Mela Bhavapriya, Ian Ring Music TheoryMela Bhavapriya

Enantiomorph

Only scales that are chiral will have an enantiomorph. Scale 2677 is chiral, and its enantiomorph is scale 1483

Scale 1483Scale 1483: Mela Bhavapriya, Ian Ring Music TheoryMela Bhavapriya

Transformations:

T0 2677  T0I 1483
T1 1259  T1I 2966
T2 2518  T2I 1837
T3 941  T3I 3674
T4 1882  T4I 3253
T5 3764  T5I 2411
T6 3433  T6I 727
T7 2771  T7I 1454
T8 1447  T8I 2908
T9 2894  T9I 1721
T10 1693  T10I 3442
T11 3386  T11I 2789

Nearby Scales:

These are other scales that are similar to this one, created by adding a tone, removing a tone, or moving one note up or down a semitone.

Scale 2679Scale 2679: Rathyllic, Ian Ring Music TheoryRathyllic
Scale 2673Scale 2673: Mythimic, Ian Ring Music TheoryMythimic
Scale 2675Scale 2675: Chromatic Lydian, Ian Ring Music TheoryChromatic Lydian
Scale 2681Scale 2681: Aerycrian, Ian Ring Music TheoryAerycrian
Scale 2685Scale 2685: Ionoryllic, Ian Ring Music TheoryIonoryllic
Scale 2661Scale 2661: Stydimic, Ian Ring Music TheoryStydimic
Scale 2669Scale 2669: Jeths' Mode, Ian Ring Music TheoryJeths' Mode
Scale 2645Scale 2645: Raga Mruganandana, Ian Ring Music TheoryRaga Mruganandana
Scale 2613Scale 2613: Raga Hamsa Vinodini, Ian Ring Music TheoryRaga Hamsa Vinodini
Scale 2741Scale 2741: Major, Ian Ring Music TheoryMajor
Scale 2805Scale 2805: Ishikotsucho, Ian Ring Music TheoryIshikotsucho
Scale 2933Scale 2933, Ian Ring Music Theory
Scale 2165Scale 2165, Ian Ring Music Theory
Scale 2421Scale 2421: Malian, Ian Ring Music TheoryMalian
Scale 3189Scale 3189: Aeolonian, Ian Ring Music TheoryAeolonian
Scale 3701Scale 3701: Bagyllic, Ian Ring Music TheoryBagyllic
Scale 629Scale 629: Aeronimic, Ian Ring Music TheoryAeronimic
Scale 1653Scale 1653: Minor Romani Inverse, Ian Ring Music TheoryMinor Romani Inverse

This scale analysis was created by Ian Ring, Canadian Composer of works for Piano, and total music theory nerd. The software used to generate this analysis is an open source project at GitHub. Scale notation generated by VexFlow, graph visualization by Graphviz, and MIDI playback by MIDI.js. Some scale names used on this and other pages are ©2005 William Zeitler (http://allthescales.org) used with permission.

Pitch spelling algorithm employed here is adapted from a method by Uzay Bora, Baris Tekin Tezel, and Alper Vahaplar. (An algorithm for spelling the pitches of any musical scale) Contact authors Patent owner: Dokuz Eylül University, Used with Permission. Contact TTO

Tons of background resources contributed to the production of this summary; for a list of these peruse this Bibliography.